[A sustainable civilisation] shall consume unreplaceable natural resources only as a means to facilitate necessary change (as a chrysalis in metamorphosis must live on its fat). For the rest, the metabolism of the civilisation must depend upon the energy income which Spaceship Earth derives from the sun. — Gregory Bateson, Ecology and Flexibility in Urban Civilization
David Cameron gave a speech today in which he called on British Internet Service Providers (ISPs) to implement filters on the internet in order to block pornographic content. Certain types of pornography would be banned entirely (obviously those that are already illegal, but also “simulated rape” imagery) while other legal forms of pornography would require a person to explicitly “opt in” with their ISP in order to be able to view it.
Now, this is obviously a sensitive subject (particularly when we’re talking about something like “simulated rape”) and it’s not something I want to spend a huge amount of time on – the blogosphere is full of commentary on the subject and I probably don’t have a great deal to contribute to the debate. However, I do want to add my voice to the calls for extreme caution with regards to this issue.
I’m not going to deal with the moral issues surrounding pornography. They are ably covered, from all sides, by a myriad different writers. However, I would like to request that those who are calling for filters and bans, define their terms. Because nobody seems very willing to do so. A ban on “simulated rape imagery” would obviously cover some deeply depraved stuff. The kind of stuff that would turn the stomachs of most of us.
But such a ban would also ensure that a whole host of films and TV shows are banned from our screens. Jodie Foster’s powerful Oscar-winning performance in The Accused would clearly never be permitted in Cameron’s Britain. If you claim the film does not contain “simulated rape imagery” then you have not seen it. The same is true of Platoon, Pulp Fiction, A Clockwork Orange, The Outlaw Josey Wales and dozens of other excellent films (plus probably thousands of films that are less excellent but I’d argue are a long way from being worthy of a ban).
Hell, even Akira Kurosawa’s acknowledged masterpiece, Rashômon, while showing very little of the crime that forms the heart of the film, nonetheless contains what can only be described as “simulated rape imagery”. The entire film – as with The Accused – centres on the aftermath and consequences of a rape. Are we suggesting the subject is entirely off limits? Or that it can only be obliquely referred to as an off-screen event?
On the (very few) occasions that defenders of the proposed ban have tried to define exactly what it is they are banning, they fall back on the “intent” of the film or scene. If the simulated rape is intended to titillate or arouse a viewer, then it should be banned. Which means these people are willing to allow – nay demanding – the government be given the power to ban films based on their interpretation of the film-makers intent. If that’s not close to the definition of a slippery slope, then I don’t know what is.
I know, I know, there will be clear cases where a simulated rape scene is obvious pornography. But how do you write that into law in such a way as to ensure that the government cannot decide to use that same law to ban The Sopranos, Twin Peaks and Breaking Bad from our screens? And as someone has already pointed out on Twitter, David Cameron himself owns the TV series ‘24‘ on DVD. Yep, you guessed it, “simulated rape imagery”. Nobody is arguing that there aren’t deplorable things out there; things I don’t want to see and I suspect the vast majority of those reading this don’t want to see either. But I want to be able to draw that line for myself. I certainly don’t want David Cameron or Enda Kenny or any politician drawing it for me.
This week, quite rightly, the media has been buzzing with news of the return of David Bowie. His first new material in a decade was released, quite unexpectedly, on Tuesday; his 66th birthday. The song – Where Are We Now? – is a lovely, melancholy meditation on lost youth. Filled with references to Berlin, where Bowie himself spent several years in the 1970s, it was produced by Tony Visconti who – along with Bowie and Brian Eno – formed the Holy Trinity responsible for the three late-70s albums that (in my personal opinion) represent the pinnacle of Bowie’s creative output. I know that sounds like I’m saying he “peaked” with “Heroes”, Low and Lodger and then went into decline. But that’s not how I see it. Yes, there was something of a trough in the 1980s, but 1.Outside in the mid-90s saw him once again climb creative heights rarely visited by others and of the four 90s / early noughties albums that followed, only Hours was less than brilliant (both Earthling and Heathen are grossly underrated and Reality has some stonking songs on it though you might argue there’s some filler there too).
The new single is to be followed by an album in March (called The Next Day) which I am eagerly anticipating. And while well-publicised health problems suggest he may not tour the new songs, we can still hope against hope. Right? As well as the inevitable cooing from die-hard fans (of which I am one and for which I make no apology) there have been other responses. Thanks to the internet, you can read the views of the cynics and the compulsive denigrators just as easily as the views of the die-hard fans. Which is fine. If people genuinely don’t like Bowie, or genuinely find the new song lacking in some way then they are just as entitled to express that opinion as people like myself who are excited about it. Mind you, a lot of the criticism I’ve encountered smacks somewhat of deliberate contrarianism. It comes from the same sort of people who tell you The Beatles never wrote a good tune, Citizen Kane is overrated and insist they don’t understand the phrase “best thing since sliced bread” because frankly sliced bread is shit.
And you know what, those folk are also just as entitled to express their opinion. I find it a little sad that people actively seek the sensation of jadedness – something I seem to spend a whole lot of time battling – but I don’t have to live their lives so let them at it… I’m not looking for repressive legislation on the matter.
Anyway, here’s the new single (along with the odd video). If you’ve not already heard it, I hope you like it as much as I do. I found myself humming it after just one listen and yet I’d still describe it as “a grower” because I’m enjoying it more and more with each new hearing.
The other David B
In my personal musical universe there’s probably only one other person who rivals David Bowie for the top spot (luckily my musical universe is polytheistic in nature, so they don’t need to fight it out). And that’s David Byrne. Like Bowie, David Byrne’s finest hour was quite a while ago – and perhaps not at all coincidentally – also involved Brian Eno. I’m speaking of course about Remain In Light, the greatest album ever recorded.
Also like Bowie, however, that didn’t represent a “peak” from which there was only a long decline ahead. No, like Bowie’s Low, Remain In Light was simply the tallest tree in a forest of redwoods. His career since Talking Heads has been generally overlooked by the mainstream (with the occasional exception… his Oscar for The Last Emperor soundtrack being one such exception) but is no less because of it. So when I read a review of last year’s Love This Giant (a collaboration with St. Vincent) that described the album as “a return to form” I was genuinely mystified. You can’t return to something you never left, and Byrne has been “on form” pretty much since 1977. Whether it was his work with Talking Heads, his solo stuff, his collaborations (with Eno, Fat Boy Slim, St. Vincent and others) or his many books, films and installations; Byrne has consistently brought joy, light, wonder and a great rhythm section to my life.
Love This Giant is another wonderful record. The heavy use of “heavy brass” gives it quite a distinctive sound, setting it apart from most of his other work (excluding, of course, his album of brass band compositions – Music For The Knee Plays). In fact it contains a song (I Should Watch TV) that rocketed straight into my top 10 Byrne tracks and which I listen to regularly. How pleasing, therefore, that it appears on the short live concert by Byrne and St. Vincent that’s just been released by NPR. I recommend the entire gig as it showcases a genuinely wonderful album while throwing in a couple of older tracks. But if you’ve only got a few minutes, then skip ahead to 24:40 and listen to the glorious I Should Watch TV.
Just a short one this, the representatives from the International Monetary Fund (IMF), the European Commission (EC) and the European Central Bank (ECB) – collectively known as “the troika” – completed their latest quarterly review of the Irish austerity programme today. As I mentioned in a recent post, they were in Dublin to check up on the Irish government… making sure our elected representatives are doing as they’re told.
Give them the eye Vincent!
And it turns out the review was a positive one. We’re being good little girls and boys here in Ireland. We’re pouring the wealth of the nation into the European banking system as per instruction. We’re doing this because a small number of private investors and banks made stupid decisions a few years ago. It makes absolutely no sense unless you view it as grand larceny. Inevitably there’ll be someone (as we’ll see in the video) who will defend this process by babbling about “stability” and the costs of not acting outweighing the benefits.
But this response is ultimately self-defeating – well, it is when it comes from a top official at the ECB. Because inherent in that response is an admission that the international financial system is required to engage in grand larceny in order to maintain stability. Which makes the system completely unfit for purpose.
Anyway, having carried out the latest review, spokesmen for each member of the troika held a press conference in Dublin today. Istvan Szekely of the EC, Klaus Masuch of the ECB and Craig Beaumont of the IMF sat down and faced the Irish media. It’s the kind of event that generally gets forgotten as soon as it’s over because it tends to be little more than a prepared statement followed by a handful of safe questions, lobbed softly at the participants and deftly dismissed with bland sound-bites. Today’s press conference was slightly different though, thanks to the presence of Vincent Browne; perhaps the only voice of righteous outrage we have left in Irish public life. He’s truly a national treasure; though not in the safe, comfortable manner that phrase is often used. The years have not diminished his passion and he remains a genuine firebrand.
Anyway, he didn’t get a satisfactory response to his question; merely the aforementioned vague babbling about stability and costs versus benefits. But he nonetheless made his point, and I’m bloody glad that he did.
The video I’ve included here only offers an edited version of the press conference (the entire thing can be viewed on the RTÉ website – in which case, the Vincent Browne question begins at 18mins) so I should add a little context… the previous question asked the troika representatives how they perceived the Irish attitude towards them and the “bail-out” process. Klaus Masuch of the ECB jokingly commented on how well-informed his taxi-driver seemed to be on complex economic matters (we were left to guess at the kind of ear-bashing he received during his trip from the airport to the Merrion Hotel). Browne, as you will see if you jump to 6:25 in the embedded video, followed up on this:
Almost the entire exchange between Browne and Masuch can be viewed in that edit, though a few seconds of exasperation from Vincent does get cut from the end of the segment.
Greetings dear reader, and welcome to 2012. I hope your journey through 2011 wasn’t too arduous and you managed to avoid the worst of the nastiness it contained. It wasn’t all nasty of course. Far from it. But the continuing financial crisis certainly made it feel that way at times. Incidentally, I’m trying to come up with a better phrase than “financial crisis” with which to label the ongoing state of affairs. Something that better encapsulates the wholesale transfer of public wealth into the coffers of a small number of private corporations and institutions currently being sanctioned by our governments. Because despite the political sloganeering that claims “we’re all in this together” and speaks of “sharing the pain”, an examination of the facts would suggest that the “financial crisis” isn’t actually happening to the powerful or wealthy. In fact, with a few exceptions, they seem to be doing rather well out of it.
Perhaps “the return to feudalism” might be a better label than “the financial crisis”? It conveys both the huge increase in inequality that’s underway. along with the complete loss of democratic accountability. Though perhaps it’s a little abstract for the general public. After all, we’re talking about populations who consume reality television in massive doses while electing right wing governments without exception. And yes, even those populations who elect nominally “centre left” governments are in fact electing right wing governments; the centre has shifted so far to the right that even the leftist fringes have given up talking about large-scale nationalisation and content themselves with demanding relatively minor changes to the taxation regime and slightly stricter regulation of the financial sector. Don’t get me wrong… that’s better than the status quo but it’s not exactly the million miles from the status quo that we should be moving with all haste.
Anyway, enough of that for now. I have a new post brewing on the subject of Ireland withdrawing from the euro in which I’ll be discussing the return to feudalism (nah, it doesn’t trip easily enough off the tongue… I welcome suggestions for a better label) in greater depth. For now, sit back and enjoy a brief round-up of the highlights – from my perspective – of 2011. There were a few hidden among the carnage.
From a purely personal standpoint, I continued to share my life with a wonderful woman. The lovely Citizen S remains the best thing in my world and I can’t thank her enough for putting up with my many foibles. I also became an uncle and godfather for the first time, which was groovy. Financially things could have been better (hint: job offers welcome!) but we didn’t go hungry, had a roof over our heads and managed to pay the bills. We even had a little left over to visit Serbia a couple of times, have a short break in Kerry and generally enjoy life. So whatever else might have happened in 2011, here in the Bliss household, it didn’t suck.
Sporting highlights of 2011
With each passing year I find myself becoming more and more intrigued by sporting events. I’m not sure if this is a symptom of growing old or just that I’ve found myself spending more time with sports fans and gaining an appreciation through them. Either way, I was delighted when Dublin won the All-Ireland Gaelic Football Final for the first time since 1995, in what even the losing fans agreed was one of the most exciting matches in living memory. As fine an advertisement for amateur sports as you’re likely to see. The image to the right shows the moment – deep into stoppage time – that Dublin goalkeeper, Stephen Cluxton, kicked the winning point. Truly a “leap into the air whooping” moment if ever there was one. Apologies to readers from Kerry, but despite your loss I’m sure you’ll agree it was a wonderful match, objectively speaking.
Elsewhere in sport, Ireland had a somewhat disappointing tournament in the rugby world cup in what was probably the last chance for the so-called ‘Golden Generation’ to win the competition. It’s a shame really… players as supremely talented as Brian O’Driscoll, Ronan O’Gara and the rest were good enough to have retired with a World Cup Winner’s Medal around their necks; they just never managed to find their best performances when it really mattered. However, our soccer team managed to qualify for the European Championships next year, the first time we’ve qualified for a major tournament in over a decade, which almost makes up for the unjust manner in which we missed out on the 2010 World Cup (I don’t think the Irish nation has yet forgiven Thierry Henry).
In golf, Irishmen (albeit Northern Irishmen) had the world at their feet. Rory McIlroy and Darren Clarke each won one of the four Major Championships. The previous year, Graeme McDowell also won a Major. And that came only a couple of years after Dublin man, Padraig Harrington, won three Majors in two years. Lately we’ve been punching above our weight for a small island. Long may it continue.
Last year I also followed tennis for the first time. Serbia’s Novak Djokovic became world number one and had one of the game’s greatest years ever, completely dominating the sport by winning three of the Grand Slam tournaments and a whole bunch of other competitions. All of this on the back of leading Serbia to its first ever Davis Cup win. Oh how we cheered in the Bliss household.
Also Tottenham Hotspur, the only premiership team worth watching, have had a wonderful 2011. So that’s nice.
Musical highlights of 2011
I wish I could say that 2011 saw lots of great new albums, films and TV shows. But it didn’t. I got into Brian Eno’s Small Craft on a Milk Sea in a big way in 2011, but that was actually released in 2010 so doesn’t really count I suppose. Still, get hold of it if you’ve not already as it’s really rather good. I seem to be a year behind with Eno and have yet to get hold of his 2011 album, Drums Between The Bells, but from past experience, I suspect I’ll enjoy it when I do.
The two albums released in 2011 that I have got hold of (though only very recently) and which I heartily recommend are Uf! by the astonishingly wonderful Serbian band, Disciplin a Kitschme and In Love With Oblivion by Crystal Stilts. The Crystal Stilts album continues their Joy Division meets Jesus and Mary Chain vibe, though this time it seems to be passed through a late-60s psychedelia filter rather than the Americana of the first album… there are definitely shades of The Doors and The Velvet Underground hidden within the fuzzy guitars and echoing vocals, though with the occasional return to their earlier sound as on the excellent Alien Rivers. Best track (in my view) is the album closer, Prometheus at Large. An altogether wonderful noise.
Perhaps even more wonderful is the driving bass and drums of Disciplin a Kitschme. The new album is probably the most commercial thing they’ve done, but don’t let that worry you, they are still a long long way from the mainstream. The excellent single, Ako ti je glasno… (“If it’s loud…”) is about as mainstream as they get. It’s a grinding four minute kickass tune, cut down from the nine minute heaviness of the album version, which kicks off Uf! and heralds the onset of a really great record. One I’ll be listening to for many years to come and – from my perspective – the best release of 2011. Despite digging the band’s vocals, my personal favourite tracks – though it’s genuinely difficult to pick – would probably be the two long instrumentals; Nimulid Rok and the weird Manitu VI which veers perilously close to jazz and has a didgeridoo, yet still manages to sound awesome. For some reason, those YouTube uploads truncate the tracks, which should be nearly 6 and 10 minutes respectively.
Ako ti je glasno…
Aside from that, there was little that really grabbed me musically in 2011. The X-Factor continued to chip away at the collective soul of humanity while Adele, Lady Gaga and Jay-Z continued to sell records by the pallet-load. Clearly lots of people enjoy that stuff, but it doesn’t float my boat. In fact, it actively threatens to torpedo my boat and machine-gun any survivors who make it to the life-rafts. Bastards!
Movie highlights of 2011
I have to admit, I didn’t see many of 2011’s crop of new movies. I saw a few of the blockbuster releases, not one of which impressed me very much. I’m not sure whether big budget spectaculars have gotten worse in the past few years, or whether I’ve just become jaded (I’d like to think it’s the former, because I’ve always loved the whole roller-coaster-ride aspect of Hollywood spectaculars and would hate to think I’ve lost that sense of childlike wonder when it comes to shiny things moving at high speed and then exploding). So whether it was Thor or X-Men: First Class or the frankly risible Super-8 (an ET / Godzilla mash-up might sound great at 2am after some fine skunk, but it’s the kind of idea that should really be forgotten the next morning) there was a lot of “being underwhelmed” going on. Slightly better were Limitless and The Adjustment Bureau, both of which suffered from the same problem… a fantastic first half hour followed by an increasingly frustrating descent into nonsense and cliché. In particular I was annoyed by Limitless which – like Inception the previous year – took a glorious premise and completely squandered it.
Another notch up the ladder were Unknown and Battle: Los Angeles. Unknown did the same thing as the previous two films, but took longer to become crap, so at least the viewer has a good thriller for more than an hour before realising it’s going to end badly. Battle: Los Angeles, on the other hand, never promises more than it can deliver, even though it doesn’t promise much. A bunch of stereotypical Hollywood soldiers fight a running gun battle with technologically advanced aliens on the streets of Los Angeles. For two hours. Exciting while it’s directly in front of you and instantly forgettable. But at least it doesn’t leave you with a sense of wasted potential.
Much much better was the Simon Pegg and Nick Frost science fiction road movie, Paul. The critics may have dismissed it as lightweight, but frankly I consider any film that can have me laughing from start to finish a more than worthy accomplishment. It’s easily one of the best comedies of the past few years and just because comedies tend not to win awards doesn’t actually make them any less important. I highly recommend Paul to anyone who hasn’t seen it yet. If you’re not a science fiction fan you will miss quite a few of the references, but I suspect you’ll still find plenty to laugh at.
About as far from Paul as it’s possible to get was the excellent The Sunset Limited which slipped under the radar somewhat but was no worse for it. Samuel L. Jackson and Tommy Lee Jones discuss religion and faith in a small room for an hour and a half. That’s pretty much it. It’s based on a Cormac McCarthy play and kept me rivetted to the screen for the duration despite the simple premise and basic setting. Just as Limitless provides an object-lesson in the damage that can be wreaked by bad writers, so The Sunset Limited demonstrates the power of good writing.
There are several of 2011’s most talked-about movies that I’ve yet to get around to seeing, so I completely accept that it may have been a far better year – filmically speaking – than I’m currently aware of. I’m really looking forward to The Girl With The Dragon Tattoo (I thought the original film was excellent and usually hate American remakes of European films… but, well, it’s David Fincher isn’t it?) I also suspect I’ll enjoy John Michael McDonagh’s The Guard (starring Brendan Gleeson), Woody Allen’s Midnight in Paris and low-budget British science-fiction flick, Attack The Block when I get around to them.
Television highlights of 2011
As regular readers will know, I have a very high opinion of good television programmes. I think TV can be just as good as cinema, and – culturally speaking – more important. But only when done properly. Unfortunately it’s almost never done properly and the number of shows that make the grade, in my view, is absolutely tiny. As with every year, 2011 contained a couple of flashes of brilliance amidst an ocean of pure shit. 99% of television is soul-destroying and it’s very difficult to justify the existence of the medium even by pointing to the good bits. But 2011 did have the occasional good bit.
Probably the best thing broadcast last year was the glorious Steve Coogan and Rob Brydon dialogue, The Trip. From start to finish it was pure excellence and veered from the sublime to the pleasantly ridiculous without ever feeling forced. I enjoyed every moment of The Trip and will definitely be rewatching it before too long. Part of me hopes they make more, but part of me sees it as a perfect little gem that could be sullied by trying to stretch the idea any further.
As far from The Trip as The Sunset Limited is from Paul was the epic Game of Thrones. This HBO spectacular is based on a series of swords’n’sorcery novels that I’ve not read, but I was nevertheless engrossed by the twisty plot, the sumptuous production values, the fine scripting and the wonderful characters. I’m looking forward to Season 2, though I’m a little concerned that they may not be able to sustain the sense of dread that hovers over the whole affair.
I was going to include the amazing BBC update of Conan Doyle, Sherlock until I realised it was actually broadcast in 2010… where the hell has the time gone!? So instead I’ll just remind you all what a great show it is and point out that the second season has just begun (Sunday nights, BBC1 and on iPlayer if you can access it). Best thing on TV right now.
Beyond that, 2011 didn’t have anything new to offer, televisually. I’m told The Killing was rather good but I missed it. New seasons of old shows were either as good as ever (Breaking Bad and Community) or a bit of a disappointment (Bored to Death… still better than 99% of what’s out there, but failing to scale the dizzy heights of the first two seasons). Black Mirror was apparently fantastic, but I’ve yet to see it – though I intend to.
So yeah, not a great year for TV. But it never is, sadly.
Literary highlights of 2011
Errr… I’m well behind on my reading, so I can’t really do a decent “best books of 2011″ bit. William Gibson’s Zero History was wonderful, but was published at the end of 2010 so doesn’t count. The same is true of Ken MacLeod’s The Restoration Game which was enjoyable though not quite as good as his previous chilling novel, The Execution Channel which was a brilliant dissection of The War Against Terror and the sinister places it might lead us.
In fact, I’m struggling to think of a single book published in 2011 that I’ve read. I would say that’s terrible, but it’s simply a function of the size of the “book queue” I have to get through. Unless something very very special comes out (a new one by Pynchon perhaps) books tend not to skip the queue. So I suspect I’ll get around to 2011’s crop of new ones early in 2013. So many books, not enough time. However, I will list a random selection of other books I read last year and which I’d recommend (the first five that pop into my head). None of which were published in 2011.
Well, I don’t want to stray too much into politics or economics in this entry as they tend to be the subject of most of my posts and I’d like to keep this one a little bit lighter. Still, there are a few things worth mentioning, but I’ll keep it brief. Firstly – and most obviously – we had the overthrow of despots in a few countries in North Africa (Egypt, Tunisia and Libya). This is unquestionably a good thing, but I still feel it’ll be a while before we know the full ramifications of the Arab revolutions. Let us hope for a better future for the people of those countries… they’re not there yet.
In Ireland the General Election demonstrated that the population really doesn’t know what’s good for it, but at least we elected Michael D. Higgins as President. Yes, it’s a largely ceremonial position and no, he wasn’t my first choice. But the fact that we didn’t elect Seán Gallagher – as it looked as though we might – means that the nation isn’t entirely off its head.
I guess the fact that the global economy didn’t completely implode can be seen as a bit of a highlight of 2011. Personally I’m hoping for a more gradual, orderly powerdown than the total collapse that threatens to occur thanks to the criminally irresponsible actions of those in power. But we shall see.
There were no major new wars, things didn’t get dramatically worse in the already war-torn and famine-struck regions of the world (even if they didn’t get substantially better) and nobody nuked anybody. All of which shouldn’t be considered highlights, but in these troubled times we’ll take what we can get.
And so there we have it. 2011 has done its worst and we’re still standing. There were high points as well as the much-publicised low ones. And overall, I’m damn glad I lived to see it all and look forward to saying the same in 12 months time. I’m often confused by how terrible the world can seem, because pretty much all the people I know personally are kind, decent, thoughtful and just want to make the world a better place. I guess it boils down to that line from Nietzsche, Insanity in individuals is something rare – but in groups, parties, nations and epochs, it is the rule. All the same, maybe if the kind, decent, thoughtful folks raise their voices a little louder this year, we might just drag the rest of the world to a better place. Have a wondrous 2012, dear reader.
And so the General Election campaign gets into full swing. Lamp posts are festooned with posters of unlikeable and untrustworthy fools demanding the right to speak on my behalf. The news is filled with lies as they tell us how they’ll solve the economic crisis. And the abject farce of the TV debates leaves an all-pervasive stench of bullshit wafting across our political landscape.
Tonight was to be the first of the TV debates and the leaders of the three main parties were invited on to TV3 to discuss their plans for the next five years. Not only were none of the leaders of the smaller parties invited — so that it was to be a debate between three centre-right, pro-corporate parties without an ounce of genuine vision between them — but one of those centrist leaders refused to take part because he didn’t like the man chosen to chair the debate.
Enda Kenny, leader of Fine Gael and — if the polls are to be believed — our next Taoiseach, denied the Irish people a chance to see him challenged by those who would oppose him in what is one of the most petulant example of political cowardice I’ve ever witnessed. Unable to put aside his personal differences with the questioner for two hours in the name of open debate and transparent democracy, he instead fled to a Fine Gael stronghold where he took tame questions from an audience of his supporters in what was billed as a “Town Hall meeting”. If he honestly thinks it presented an adequate scrutiny of his ideas, then those ideas must be very shallow indeed.
The one moment of interest came when a lone heckler, “Bobby”, spoke truth to power for the only occasion all evening. Bobby told us he was unemployed, with a sick father he was unable to support and a sister emigrating to Hungary to find work. He demanded to know what Kenny would do about his situation… a situation being experienced by an increasingly large Irish underclass; marginalised during the Celtic Tiger and now shafted by politicians who see the forces of capitalism as their true constituency.
Kenny, bizarrely, responded by citing utterly irrelevant statistics as though they actually meant something. Fine Gael would set up 20 thousand internships for graduates who couldn’t find paying work, he told Bobby (who had lost his job as a road-sweeper). The idea that an unemployed road-sweeper, trying and failing to support his ailing father, is going to be helped by a promise of 20,000 unpaid positions for graduates was as clear an example of the deep disconnect between mainstream politicians and the people they claim to represent as you will ever see. 17,000 apprentices who were unable to complete their courses due to the collapse of the construction sector will be provided with the opportunity to finish those apprenticeships. “So at least they’ll have a piece of paper”. He actually said that! “So at least they’ll have a piece of paper”.
Here is an unemployed man, sinking beneath a mess created by the unholy alliance of politicians, bankers and developers who ran this nation into the ground, desperate for some sliver of hope. And Enda Kenny responds with promises of unpaid work for graduates and a piece of paper for out-of-work apprentices. When Bobby, having listened to Kenny’s response with the vain expectation that it might actually contain something relevant to him, responded with perfectly reasonable disgust… “I can smell it from here!” (a line that should become the unofficial motto of these elections), he was booed and shouted down by the vast majority of those present. A demonstration of the pathetically tame nature of Kenny’s audience. Laughingly, Bobby’s question was sandwiched between questions from two Fine Gael councillors.
Bobby gives Enda Kenny a piece of his mind. Sadly the applause close to the end isn’t for Bobby, but is in response to Enda Kenny saying “Bobby, you’ve been very welcome to our meeting, but you’ve made your point”. Our meeting.
The safe bubble of sycophancy in which Enda Kenny has sought refuge has clearly insulated him from the realisation that there are a thousand Bobbys out there for every Fine Gael councillor.
That said… the capacity for people to vote against their best interests should never be underestimated, and our politicians are counting on just that. Enda Kenny will be our next Taoiseach because our political system is heavily insured against genuine change. People want change. At least, they say they do. Yet they’ll vote for a party which is, to all intents and purposes, identical to the one that spent the past 12 years in power. The faces will be different, but the policies will remain the same. The pro-capitalist, corporatist agenda that is ripping Ireland to shreds — and indeed the rest of the world — will be maintained whichever of the three main parties gets into power. The obscene transfer of wealth from the poor and middle class to the rich and greedy will continue unabated. Hospitals and schools will close, our pension fund and remaining national assets will, along with a hefty chunk of our taxes, be efficiently funnelled into the coffers of private investors and financial institutions who have rigged the system so that any risk associated with the decisions they make will be borne by a public without any say in those decisions.
The gap between the rich and the rest is widening. And the process is being helped along by Enda Kenny and his unsavoury ilk.
UPDATE: There’s some speculation that “Bobby” may not have been an unemployed street-sweeper, but an actor planted in the audience by a political opponent. Or that he is indeed an unemployed street-sweeper but was invited to the meeting by a political opponent specifically in order to heckle. As discussed in the comments below, I don’t actually think this invalidates the things he said; because there are tens of thousands — perhaps hundreds of thousands — of Irish people in exactly the situation he claimed to be in, and Enda Kenny’s response was frankly embarrassing, and would have remained embarrassing had “Bobby” been genuine. I suspect this fact will now be lost as the media get obsessed with the story of Bobby being a fraud, as opposed to the shameful performance of Kenny. One can only sigh in frustration.