The food of love
Ah music. Music music music.
About fifteen or sixteen years ago I was in my first band. We were good. No, really, we were. We weren’t “commercial” in any way but the sound we produced had the ability to transport some of our tiny audience to that sacred place where time stands still. It was in the days before CDRs and mp3s… the days of cassette. And it’s years since the last of those demo tapes disintegrated. Now there’s no record at all of the music we made.
I don’t see that as a great tragedy though. We were never that serious about “recording” and those tapes that did exist failed to capture our sound; our philosophy was about connecting directly with small groups of people, about removing as much of the mediation as possible between the act of playing and the act of listening.
Each performace would begin with Pete – the bassist – creating a deep throbbing drone… the bass was routed through numerous filters and distortion devices until it became an unearthly low growl. Then I’d begin to talk… barely audible over the sound of the bass… I’d describe a vision I had one evening after I spectacularly misjudged the amount of Psilocybe Semilanceata that it’s sensible to consume in one sitting. Or indeed, in 8 or 10 sittings.
After three minutes, the rest of the band would kick in… drums, guitar and keyboard… all improvising around the rhythms of my voice and the bass. Sometime before the 10 minute mark, what we called “the click” would occur. Everything came together. By this point my speech had become a kind of chant; each time different; I’d hit upon a series of short phrases in my little mushroom riff and work them into the music. By the end of 22 minutes the room would be too small for the music it contained… as though the hypnotic throbbing sound had expanded the very space around us. Then, at 23 minutes, Alison (our groupie) would unplug all the plug boards. Amps, instruments, microphones, all would suddenly get shut off and the 20 or 30 strong audience would freak out.
We’d take a five minute break for “refreshment” of various kinds, then play a couple of cover versions, a couple of fairly straight songs of our own, and then repeat the 23 minute jam. All in all we’d play for a little over an hour.
Last night I dreamt I was back there. Every detail, every burst of feedback, everything was exactly as it had been. Except our guitarist was Prince.
Fuck it was good.
My band split up 16 years ago. We too were good (really, we were as well as yours). As far as 18 year olds with Bowie fixations playing as fast as they can can be good, anyway. We always used to say ‘we don’t sound like anyone else, we just sound like us’. Less pretentious people around us, however, used terms like ‘Bauhaus on 78’ or ‘Julian Clary on an angry speed and acid comdown fronting the Buzzcocks’.
Unlike you, copies of our cassette-only album do still remain. Some complete with the free badge, booklet, lyric sheet and random electrical component. There’s also a video of two gigs somewhere.
I keep meaning to MP3 some of it, judiciously omitting the several embarrassingly bad tracks. The world will be a happier place if the one I wrote about dismembering your lover with a chainsaw stays undigitised.
June 8th, 2006 | 7:17pm
by Merrick
But I’m sure people would be clamouring to hear the aforementioned song (‘Chainsaw Reaction’, oh the glory of a poor pun) if there were given a choice between that and the cover versions we did.
Jim, as a fellow Bowie head, let me tell you about one of them. One night the engineer called off the recording session due to other commitments. The singer, being a singer, threw a hissy fit and stormed out.
Me and the guitarist then had four hours on our own. We’d watched the engineer work, how hard could it be?
We did White Riot pretty quickly, and then Jean Genie. I play drums, guitar, harmonica and vocals with all the skill you’d expect from an inept drummer.
If Mr Bowie’s been a bad man then there’s a room in hell with walls made of speakers and that Jean Genie on repeat play waiting for him.
June 10th, 2006 | 5:01pm
by Merrick
[…] Chris Moyles is, like, soooo gay June 11th, 2006 | 11:10pm by Jim I have quite a few friends who are gay or bi. In fact, for a goodly chunk of my late teens / early twenties my closest friend was gay (the bassist in the band I mentioned in a previous post as it happens). So despite being straight myself, I’ve been on a number of Gay Pride marches and I’ve always been pretty sensitive to homophobia, whether in the media or the world around me. […]
June 11th, 2006 | 11:10pm
by The Quiet Road » Blog Archive » Chris Moyles is, like, soooo gay
Acid is my bass.
July 10th, 2006 | 6:00pm
by anit