4
May 2008

Did I dream it? Or was it on telly?

It’s roughly two years since I moved away from London, and it appears — to paraphrase Ripley from Aliens — that IQs have dropped sharply since I’ve been gone. Seriously London… Boris Johnson?! What the hell is that all about? Did they open the polling booths at 2am and you all voted in the midst of a late-night ketamine binge? Or is this some kind of subversive plot to discredit the tories in the long-run; y’know, let them wreck your town and hopefully it’ll stop them wrecking the country…? If so, then let me be the first to say that I admire the nobility of your sacrifice.

But the thing is; that’s not what happened, is it? What happened is that Londoners turned out in relatively large numbers to support Boris Johnson because they think he’s the best person for the job of running their city. I’m sorry, I need to say that again because it’s still not sinking in… Boris Johnson is now running London.

That’s just mad.

The only reason everyone knows Boris Johnson far better than they know Patrick Cormack (Tory MP for South Staffordshire, in case you’re wondering) is because Boris Johnson is the blithering idiot MP who can be relied upon to act like a fool on telly. It’s not his rapier wit that gets him on Have I Got News For You? It’s the inherent absurdity that this upperclass twit actually holds a position of power. He’s there to laugh at. And it’s funny because he’s only one MP out of hundreds, and the only people voting for him are the wealthy residents of Henley.

Until now. It’s really not funny any more, London. You’ve voted for a man who has pledged to “scale back the congestion charge”. Let’s not mince words here, he wants to make it easier and cheaper to drive a car into the city. In a world of record oil prices, of a potential peak in production, a world in which Climate Change threatens catastrophic consequences; you’ve given the job of running Europe’s largest city to a man who actively seeks to encourage private car use? You fucking idiots!

3 comments  |  Posted in: Opinion


24
Apr 2008

Just testing

Hey y’all, I’ve just upgraded this place to WordPress 2.5. It was a pretty painless process, and it appears to have gone quite smoothly. If you find any broken bits, though, please let me know.

While I’ve got your attention, let me point you towards a couple of interesting things. Firstly, if you’re in Dublin (or will be before the end of June) I recommend visiting Cut-Outs and Cut-Ups: Hans Christian Andersen and William Seward Burroughs at the Irish Museum of Modern Art (IMMA). It’s not a huge exhibition, but it is a fascinating one and I suspect I’ll revisit it at some point. And yes, you heard that right, William S. Burroughs and Hans Christian Andersen. Initially I thought the link between them was pretty contrived, but there’s a couple of pieces by the venerable Danish storyteller that illustrate some truly uncanny points of contact between the two.

I was also very pleased to walk into a room containing one of Brion Gysin’s original dream-machines, and finally fulfilled an ambition to see an example of Burroughs’ “shotgun art” up close and personal. It doesn’t take very long to see the entire collection, but it’s well worth checking out.

And finally… my favourite line to appear in a news report for some time can be found right at the end of this article. Obviously read the thing before checking out the punchline.

Leave a comment  |  Posted in: Opinion


19
Apr 2008

Southland Tales

I’ve just finished watching Southland Tales, the second feature film from writer / director Richard Kelly. His first, Donnie Darko, is one of my favourite films from the past ten years and — despite Kelly’s protestations that it’s basically a straight piece of science-fiction — I see Donnie Darko as one of cinema’s better portrayals of schizophrenia.

Southland Tales

Southland Tales, on the other hand, is indeed — fairly unambiguously — a science-fiction flick, albeit one which is a damn sight more psychedelic than most. Thematically, it draws heavily on Kathryn Bigelow and James Cameron’s millennial thriller, Strange Days, as well as the little known, and rather under-rated, Wild Palms (a TV mini-series from the early 90s that still inhabits my dreams to this day, and which has forever coloured the 60s rock classic, House of The Rising Sun… a song that’s never been the same for me since soundtracking Brad Dourif’s death in Wild Palms). While structurally, Southland Tales is an ensemble piece that owes a great deal to Robert Altman’s Short Cuts (released, incidentally, the same year as Wild Palms).

The first thing to say about Southland Tales is that it’s a mess. The second thing to say is that it’s a glorious mess. A beautiful, fascinating, utterly trippy mess. Unlike Donnie Darko, which combined a wonderful visual style with some compelling and engaging characters, Southland Tales is all about the style. Which is not to suggest that it’s a case of style over substance. The substance of the film — the ideas — make for a fascinating couple of hours, but there’s no emotional engagement with the characters (though, of course, it’s difficult for me to engage with Sarah Michelle Gellar as anyone other than Buffy… one of my all-time screen heroines).

And that isn’t a complaint about the acting per se; there’s just no emotional depth to the characters they are portraying. Dwayne “The Rock” Johnson does as good a job as any actor could have with his character(s). As indeed do all of the others, though it’s only Seann William Scott and — oddly enough — Justin Timberlake who are called upon to provide any kind of emotional content; which they do competently enough.

The film opens in contemporary America. We see home-movie footage of an Independence Day celebration in Texas culminating in a shot of a mushroom cloud on the horizon. It then jumps forward a handful of years. We learn that terrorists detonated two nuclear bombs in Texas that day. As a result, the entire Middle East is a war-zone and the United States has descended into near chaos; with a brutal, repressive totalitarian government barely managing to stave off outright revolution. Police sniper towers dot the city (the film is set entirely in Los Angeles) and people are gunned down with impunity if there’s even a suspicion that they might be engaged in criminal activity. We also discover that the war in the Middle East has all but dried up the supply of oil from the region and America is close to collapse.

Now, if you ask me, that there is the guts of a great film and one which Richard Kelly — based on the talent shown in Donnie Darko — could have turned into a masterpiece. But to that is added yet another thick layer of ideas… in the desperate search for an alternative energy source, America has turned to a revolutionary new technology which exploits “quantum entanglement” in the ocean currents to produce limitless electricity which can be transmitted wirelessly to any location in America. This technology, however, is having unpredictable environmental effects.

So Southland Tales tries to address both The War Against Terror and a kind of accelerated Climate Change scenario. But that’s not enough. There’s yet another strand to the plot involving a strange new drug; Fluid Karma; which comes in several flavours providing a range of different mystical experiences. And on top of that, there’s rifts in space-time, time-travel paradoxes, messianic metaphors and a meta-narrative (involving one of the characters writing a screenplay that begins to mirror the plot of the film itself).

As I say; it’s a mess. But it’s a spectacular mess. Southland Tales is as far from the mundane mainstream as you’re likely to get and I salute Kelly for that much at least. It is — as mentioned previously — a very psychedelic film in places. Had it been released in the early 90s during my heavy-duty acid days, it would have utterly delighted me. Like Wild Palms, it would — I warrant — still linger in my dreams. With a clear head, however, it’s a rather unsatisfactory film overall. It never quite descends into sheer silliness, but it comes far too close for comfort and the Repo Man-esque allusions close to the end merely serve to damage Southland Tales by comparison. Whereas Alex Cox’s classic took a single concept and created a mythology with it, Kelly’s film takes a dozen concepts — each perfectly fine on its own — and fails to adequately explore any of them.

Overall though, Southland Tales is definitely worth a watch if you’re at all interested in non-mainstream cinema. It’s funny in places, always lovely to look at, and occasionally very very good indeed. The use of music — as with Donnie Darko — is quite wonderful. A track by The Killers (which I don’t actually think is a great song) becomes a bizarre hallucinogenic trip experienced by Justin Timberlake’s wounded and psychotic war veteran, while a line from Jane’s Addiction’s Three Days is turned into a kind of prophetic, mystical mantra.

Whatever you do, don’t watch this film expecting anything close to the quality of Donnie Darko. But don’t miss it either. As a piece of odd psychedelia it’s up there with The Monkee’s Head. As a feature film, it’s a complete mess.

10 comments  |  Posted in: Reviews » Film reviews


18
Apr 2008

The Lisbon Treaty – 6 questions

You all know the drill by now. Some abstract general principle gets illustrated by what is ostensibly a fairly innocuous news item. Predictable? I prefer the word “reliable” myself.

Anyways, in this case it may seem like you’re getting a blog post about European politics, but the point I want to make goes far beyond the Brussels bureacracy. I have to say though, that European politics can be a tricky topic for me. I’m extremely ambivalent about the whole thing and if I’m not careful that can come across as self-contradictory, as opposed to nuanced (anyone else notice the upsurge in things being “nuanced” since the Archbishop episode? No? Only me then). On the one hand, my first instinct — and with very good reason — is always to be suspicious of the undertakings of politicians. On the other hand, I’m very much in favour of “the spirit” of the European project.

And I think, therein lies the central problem. The undertakings of politicians is what happens when we try to structure the spirit as word. It’s an unpleasant spectacle, and it ends up being destructive for society as a whole. That said, I believe we’re smart enough to work out a way of not doing it anymore. And I’m serious about that by the way.

Chances are, though, we won’t get that done by June. That means the Irish referendum on the Lisbon Treaty will almost certainly go ahead. Which, to be honest, I’m having great difficulty understanding. And I’d be more than grateful if any reader could clear up my confusion.

My confusion exists on a whole bunch of levels. So bear with me as I try to disentangle them and lay them before you in a discrete manner, as opposed to the Escher-designed gordian knot made entirely of pan-dimensional moebius strips in which they currently exist.

Firstly, a rather simple query. I’ve been told by two separate people (neither of whom are generally given to conspiracy theory or unreliable flights of fancy) that the European parliament has actually voted to ignore the result of the Irish referendum should it be in the negative. However, I cannot find any verification for this. Does anyone know the full story?

Secondly, if that’s not the case and an Irish “No” vote will sink the treaty, how can that possibly be described as even vaguely democratic (which is surely the whole point of a referendum)? The expanded EC has approximately 460 million citizens. Ireland is the only nation holding a popular vote on the Lisbon Treaty, with all of the other nations planning (as of now) to ratify it through parliament. Ireland has a population of a little over 4 million people, of whom roughly 3 million are eligible to vote. So even if there’s a massive turnout (an unlikely 90%, say) and a large majority of them cast a “No” vote (an unlikely landslide, with 75% against the treaty), it still means that a treaty ratified by every other state (representing 456 million people) will be overturned by the decision of 2 million Irish citizens. And in reality, if the Irish do vote “No”, it’ll be a much closer vote based on a much smaller turnout. It could be as few as 1.2 or 1.3 million people who scupper the treaty.

It’s stretching the definition way beyond breaking point to describe that as “democratic”.

Thirdly, if we Irish vote to reject the treaty, then what happens? The “Yes” campaign paint a dire picture of Europe grinding to a halt. Or else of Ireland becoming marginalised, perhaps even forced out of the European political system (which would be a singularly difficult process for the nation, given our total economic integration with the continent up to and including our adoption of the common currency). The “No” campaign insist that nothing of the sort would occur and that Ireland can sink the treaty with little or no negative consequences. I suspect the truth is somewhere in between, but given the complete inability of the political classes to offer a balanced view, it’s very difficult to know exactly where — in between — the truth lies.

Fourthly, what the hell does the treaty really propose? The “Yes” campaigners insist that it’s all about tidying up current European legislation and that, in fact, it’ll have little or no impact upon individual nations. If that were true, then why on earth is a referendum required? Why can’t this all be done in the European parliament in the same way that national parliaments are capable (in theory) of handling such irrelevant bureaucratic issues internally? The “No” campaigners, on the other hand, insist that this is nothing less than a complete abdication of national sovereignty. Here in Ireland, we will lose our valued neutrality. More than that, we will be transferring huge amounts of power to Brussels and away from our own parliament. But if that were the case, then why do the vast majority of Irish politicians support it? These are not people whose natural tendency is to loosen their grip on the reins of power.

Fifthly, why on earth is it so difficult to unearth objective and balanced information on this issue? I understand that many people must have a vested interest in either a “Yes” or a “No” vote. But are there no honest commentators? Nobody willing to explain — in relatively simple terms — exactly what impact this treaty will have on my life, and their own? I’m not suggesting that the issue isn’t complex, or that it should be “dumbed-down”, but the text of the treaty itself is absurdly opaque and basically unintelligible (and I speak as someone who regularly reads dense academic papers written by over-intellectual neurotics who haven’t interacted with the real world in 40 years). Why, exactly, should I vote “Yes” (or “No”) to Lisbon?

Sixthly, given all of the above — and the fact that most voters won’t even make the limited attempts that I’ve made to better understand this treaty — who on earth believes that a popular vote is a suitable manner of deciding whether or not to adopt Lisbon?

Like much of modern politics, this whole thing has got an air of the surreal about it.

25 comments  |  Posted in: Opinion


15
Apr 2008

Hey Boy, Hey Boy

Hallo again. It’s been a wee while.

I just painted my house and replaced the CPU in my PC. Those two apparently unconnected facts actually resolve themselves into a single reason for why I’ve not been online much lately. Oh, and I’ve been spending lots of time staring out the window and trying to decide between the two thesis topics that I’d whittled it down to. In the end I’ve decided to go for the Freudian analysis of modern civilisation, rather than the “psychosis as cultural construct” idea. I’ll be hammering out a final title in the coming weeks, but that’s really just a case of tweaking words; right now I’m basking in the relief at finally making the decision and the knowledge that I can focus my research at last.

As a demonstration of just how distracted I’ve been by that looming decision, I only noticed this morning that the tickets blu-tacked to the side of my bookshelf (to see The Ting Tings) were for last Saturday. Bugger! Still, that’s a minor irritation, all things considered, when compared with the blessed relief.

Speaking of music, two tickets to see Leonard Cohen arrived in the mail this morning. As did a ticket to see Prince. The two concerts are on successive evenings in June which will present an incongruous juxtaposition, but one I’m looking forward to. I also considered buying a ticket for Glastonbury upon hearing they’d not sold out yet, but two things stopped me… firstly the fact that it might not be the best time to spend a week wrecked — thesis-wise… and secondly the ludicrous faff with the ticketing system. Next year, for sure though. I mentioned this to someone (that I was considering going) and they shook their head and complained “it’s a fairly dire line-up this year, though”. Hmmm… I had to point out the fact that (a) you don’t go to Glastonbury based on who is playing, you go because it’s Glastonbury; and (b) on paper, certainly it may not be the most exciting line-up the king of all festivals has seen, but if you can’t find a couple of days worth of music out of this lot, then you’re just not a music fan.

As I say though, next year……

The American Astronaut

Keeping with the music(al) theme, my dear friend Mahalia sent me the movie “The American Astronaut” on DVD many moons ago. I never got round to watching it, but have picked it up and thought about it on several occasions. Then I got pointed to the following video on Youbiquitube which makes me think I’ll be watching the entire film very soon…

And finally… “From the blogs”

It’s perhaps a little hurtful to note that the blogosphere continued on without me, almost as if my presence wasn’t an integral part of the rich tapestry of the world wide web net. Worth reading (or at least glancing at the first paragraph and thinking “huh?”) are:

di leo da liar (Merrick at Bristling Badger on the recent exposé of an inflitrator within the Climate Change action group, Plane Stupid)

HEF (Harry Hutton at Chase Me Ladies, I’m in The Cavalry… celebrates Hugh Hefner’s 82nd birthday in his inimitable style)

Binge drinking: bottling it again (Justin at Chicken Yoghurt is characteristically spot-on with his sharp précis of exactly why increasing the cost of booze by a token amount is unlikely to have much of an impact on a national alcohol problem)

Vote Boris: kill a child (Pigdogfucker at… er… Pigdogfucker on why, despite everything, voting for Ken Livingstone in the London mayoral elections is still the best option for anyone who isn’t a git)

Frank Wilson – Do I Love You (Indeed I Do)
(Merrick — again — but this time at Dust on the Stylus, his wonderfully written music blog, offers an mp3 download of a glorious Motown track that I’d not encountered before. I’ve been playing it constantly ever since, though)

Dick Cheney and the Precautionary Principle (Rochenko at Smokewriting provides an analysis of US policy and concludes that the neo-conservative tendency have introduced “the precautionary principle” as a siginificant factor in setting that policy. It’s a good piece, though as I pointed out in the comments over there, I’m not sure it’s telling the whole story) best make up brushes test

Leave a comment  |  Posted in: Media » Video


28
Mar 2008

Dig Yourself!!!

I’m really enjoying the new album from Nick Cave (and somewhat annoyed about failing to get a ticket for the forthcoming Dublin gig). I’m also enjoying his fantastic moustache which features prominently on magazine covers and posters wherever I go. Wandering around town today, the title track came on my mp3-player, and I found myself involuntarily strutting.

I think I may have watched this video one too many times.

4 comments  |  Posted in: Media » Audio, Video


20
Mar 2008

Freud 101 — the topography

“The modern free market as manifestation of a collective pleasure principle”. That’s an idea that may well feature prominently in my thesis. I’ve got a self-imposed deadline of April 2nd to finalise the title. Right now I’m essentially researching three different thesis topics, which is fascinating and all, but not too efficient. Mind you, I’ve whittled that down from about six. The most recent to fall by the wayside was the idea of writing on Freud’s notion of compulsive repetition, via an analysis of the films of Takeshi Kitano. Sadly, I realised that despite my familiarity with his films, I’m not nearly familiar enough with Japanese culture to really do justice to the subject (though it’s definitely a paper I’d love to read).

But “the modern free market as a manifestation of a collective pleasure principle”? What the hell does that mean, right? Oh, and what’s the pleasure principle again?

Well, last question first I guess; a few paragraphs on Freud’s second topography wouldn’t go amiss.

The ego and the id

During Freud’s early work, he used a theoretical model of the mind / psyche now known as ‘the first topography’. This divided the psyche into three parts / processes; the conscious, the unconscious and the preconscious. However, he later revised this significantly into the second topography. There are still three parts / processes but now they are the id, the ego, and the super-ego*.

The ego is a conflation of the conscious and the preconscious of the first topography. By and large, it’s that part of the mind that we are aware of (though there are elements of the ego of which we are unconscious, confusingly enough). And it’s more than just awareness; the ego, for most of us, is where we locate our identity.

The id relates, more or less, to the unconscious of the first topography. It’s the part of the human psyche that contains the thoughts and memories of which we are currently unaware (including, though not limited to, those which are the subject of repression). Perhaps more importantly, to psychoanalytic theory at least, the id; the unconscious mind; is also home to a cauldron of desires and drives which motivate us as much as, if not more than, those desires and drives of which we are conscious.

In Freudian theory, the ego and the id are generally in conflict. The id is governed by “the pleasure principle” which is regularly misunderstood as being an instinct to seek out pleasure. In fact, Freud pointed out that the drive behind the pleasure principle is at least as much about the desire to avoid “unpleasure”. It’s what drives us to seek food when we are hungry. The ego, on the other hand, is governed by “the reality principle”. This is, in simple terms, an awareness of the appropriate way to interact with the external world.

So, for example, a hungry person who passes a market-stall containing fresh bread will be driven, by the pleasure principle, to consume it and so escape the hunger. The primary biological / unconscious / id imperative is a simple “eat that bread”. An infant in this position will consequently reach out and grab the bread (Freud believed that the ego, and therefore the reality principle, is acquired through development, while the id is innate). Someone who has developed a relatively normal ego, adequately governed by the reality principle, will — on the other hand — understand that the appropriate behaviour is to first buy the bread and then eat it. This is why, in Freudian terms, the primary tool deployed by the reality principle to keep the pleasure principle in check, is known as “postponement”.

The super-ego

Often seen as the poor cousin in Freud’s topography, the super-ego is usually of less interest to Freudians. Probably because they already have their hands full dealing with the id. All the same, it’s a fascinating part of his work and plays a pretty important role in my mapping of Freud’s topography onto groups rather than individuals. I’ve written before that “the super-ego is where culture lives”. I still believe that to be a true statement (albeit at the poetic end of truth), but it’s a very incomplete picture. I wrote it when discussing culture, not the super-ego.

Indeed, because parts of it are conscious and parts unconscious, the Freudian super-ego can be a little hard to pin down. Rycroft writes that the super-ego is that part of the psyche “where self-observation, self-criticism and other reflective activities develop” (guilt is a big weapon in the arsenal of the super-ego). Meanwhile, according to the bible, “Super-ego is the product of an internalisation of, and identification with, parent and parental authority, including prohibitions and values associated with that authority. Insofar as parental authority reflects the broader social context, the super-ego can be seen as the indirect product of the internalisation of society’s demands and values”.

I’m aware that the super-ego sounds a bit like the reality principle. But they are quite distinct, one being a regulatory function of the ego based upon both an awareness of the immediate environment and circumstances as well as an understanding of consequences and appropriate behaviour. The super-ego is — in part — where that “appropriate behaviour” is stored within our psyche. The reality principle is guided both by the ego and the super-ego with the goal of modifying the pleasure principle so that it doesn’t get us into trouble.

Applying this to groups

As I’ve discussed elsewhere, there are problems with trying to scale up Freud’s topography as a tool to analyse groups, organisations or cultures. But at the same time, there can be merit in doing so. Gregory Bateson is my main guide in this territory, and he has explained why this approach is both legitimate and useful. In Morale and National Character (1942), Bateson demonstrates that the relationships between sub-groups within larger groups are subject to analysis, contrast and comparison so that something we could rightfully consider “national character” begins to emerge. It’s worth pointing out that this analysis can be applied not merely to nations, but to any large group that adheres to a specific set of cultural norms.

For the sake of clarity, allow me to pause and provide examples of what I mean by “the relationships between sub-groups within larger groups”. Bateson’s essay is comparing the national character of Germany and England and does so by examining the culturally determined relationships that exist between (for example) men and women, parents and children, upper-class and lower-class, and so on. The essay is not an exhaustive case-study, and is largely about promoting the (at the time heretical) idea that western cultures and civilisations are just as open to anthropological and psycho- analysis as are the “primitive” cultures of Bali and Papua New Guinea where he did revolutionary work. Along the way, however, he convincingly demonstrates how pronounced character traits can emerge within large groups of people due to specific commonalities in their individual development, which are themselves culturally determined by, and specific to, those groups.

So when Bateson’s work is read in the context of Hostadter and Dennett’s theories about “mind” emerging from organised complexity, and even Jung’s theories of the collective unconscious, it doesn’t seem illegitimate to suggest that large groups can indeed by “psychoanalysed” (to use the term in it’s most broad sense) despite the apparent lack of an identifiable “psyche”.

The modern free market as manifestation of a collective pleasure principle

So let’s return to the original theme, and answer the first of those questions: “The modern free market as manifestation of a collective pleasure principle”… what the hell does that mean?

Well, a part of my hypothesis is the idea that there now exists a global civilisation that transcends national borders** but which can be defined largely by American cultural and economic influence. I’m not suggesting that this civilisation originated in America, merely that those cultural norms which have historically been embraced and promoted by American society, help define it. And thanks to US (and US-influenced) mass-media as well as global movements like feminism, the equal rights initiatives and multiculturalism, we have entered a period where the developmental experiences of American, Irish, British, German, Greek or Australian individuals are becoming far less distinct, opening the way for a collective analysis.

As part of that analysis, it is my suggestion that… you guessed it… the modern free market is a manifestation of our collective pleasure principle. It represents the demands (quite literally) of the collective. When those demands are repugnant or unreasonable then the market gets modified and restricted by laws (the passing of such laws being an example of our collective reality principle at work).

To take an unambiguous example, upon which I suspect we can all agree that a level of market intervention is required; much to our dismay, there exists a demand for — and market in — child pornography. Leaving aside the abstractions of “simulated child pornography” (as clearly there is a demand specifically for the non-simulated variety), we have passed laws making the sale or possession of such material illegal. This is noteworthy, because we have done so despite already having laws that outlaw its production. As a culture, we have understood that the market for this material is in itself problematic. We work, therefore, not merely at outlawing supply but also at attempting to curtail demand.

The basic analogy

An individual who allows their behaviour to be guided by an unregulated pleasure principle is likely to be both destructive to himself and his immediate environment (along with anyone who shares that environment with them). It is clear that we, as a civilisation, are capable of regulating our demands of the world. We possess the tools to do so. I would suggest, however, that we are guilty of significantly under-using those tools, and that the almost-unregulated demand for natural resources is resulting in behaviour both destructive to ourselves and to our immediate environment.

* It’s an interesting historical note that Freud did not use those words, and they are in our common lexicon thanks to his translators. In the original German, the id, ego and super-ego are the es, ich and über-ich, or literally, the it, I and over-I. It was his translators who decided to latinise them.

** This isn’t to suggest that individual nations do not still retain a national character, though I believe that an increasing homogenity is making them less prominent.

1 comment  |  Posted in: Opinion


20
Mar 2008

Carbon dioxide emissions per barrel of crude

Thanks to a disastrous decision to rely upon data published by BP, I royally cocked up a calculation involving their Miller Field carbon capture project (see previous post). However, that calculation was preceeded by — in my view — a more important one; an estimate of the amount of atmospheric CO2 emitted by a single barrel of crude oil. Thanks to the kerfuffle surrounding the error in scaling (an error, let me again stress, based upon some bad data from BP), the original calculation is being rather obscured.

CO2 emissions

Petrol:
1 litre: 2.331kg of CO2
1 US gallon: 8.824kg of CO2

Diesel:
1 litre: 2.772kg of CO2
1 US gallon: 10.493kg of CO2

Crude oil:
1 barrel: 317kg of CO2 (min.)

1 tonne of CO2 is:

429 litres / 113.33 gal of petrol*
360.75 litres / 95.3 gal of diesel
3.15 barrels of crude oil

* less than 8 fills of an average-sized car with a 55 litre tank

In the (probably vain) hope of rescuing it from that obscurity, and due in no small part to a comment on the previous entry which suggests to me that it’s still a useful piece of information, I’ve decided to reproduce it here in isolation. I invite comment and correction, as always.

How much carbon per barrel?

First up, it’s important to realise that crude oil is (almost) never used directly. Instead it’s refined into a wide range of products, most of which we burn in various engines, but some of which never get converted into CO2 (lubricant oils, plastics, asphalt, etc.). Different grades of crude oil will produce significantly different amounts of each. So a barrel of light / sweet crude might produce lots of petrol and kerosene but only a small amount of asphalt (as a very simple example). But a barrel of heavy / sour crude would produce more asphalt (still less than the amount of petrol produced, but more in comparison with the sweeter oil). This means that, ironically, less of the heavier and more sulphuric stuff, although it’s called sour (and sometimes “dirty”) oil tends to end up as atmospheric CO2 (we coat our roads with it instead).

So while we could, no doubt, work out a figure for the CO2 emitted by burning a given barrel of crude oil, it would be very much a red-herring. To get any meaningful figure for CO2 per barrel we’re going to need to do our calculations on the products of crude oil.

It makes sense to perform this calculation on oil that is of average quality (i.e. not some kind of heavy sulphuric sludge or tar-sand) to make it more generally useful. So taking Riegel’s Handbook of Industrial Chemistry as our guide, we know that the average barrel (~159 litres) of crude oil to pass through U.S. refineries in 1995* yielded the following products:

1. Gasoline: 44.1% (70.12 litres)
2. Distillate fuel oil: 20.8% (33.07 litres)
3. Kerosene-type jet fuel: 9.3% (14.79 litres)
4. Residual fuel oil: 5.2% (8.27 litres)**

Percentage values from Riegel’s Handbook of Industrial Chemistry, 2003 edition (Page 515, Fig. 15.6). Litre values based upon conversion rate of 159 litres per barrel.

All of the other products*** of refined crude have sufficient alternative uses to make it possible (even if not entirely probable) that they will not end up as atmospheric CO2. Of the four grades of fuel listed above, however, it’s fair to say all of it is destined to be burnt. It’s worth noting, therefore, that our final result will represent a minimum CO2 per barrel.

Now, the litre values are no good to us by themselves. Each of the fuels has a different specific gravity (a different weight per litre), and it’s the weight of carbon we’re looking for, not the volume. Once we’ve multiplied the volume of each fuel by the relevant specific gravity we’ll have a rough “kilogram per barrel” number for each fuel. So:

1. Gasoline: 70.12 litres x 0.74 = 51.89kg
2. Distillate fuel oil: 33.07 litres x 0.88 = 29.10kg
3. Kerosene-type jet fuel: 14.79 litres x 0.82 = 12.13kg
4. Residual fuel oil: 8.27 litres x 0.92 = 7.61kg****

Overall, this suggests that the average barrel of crude refined in the United States in 1995 yielded a shade over 100kg of liquid fuels (that’s an uncannily round number… 100.73kg to be exact). Now, we know that a carbon-based fuel will emit 3.15 times its own weight in CO2 when burnt.

When fuel oil is burned, it is converted to carbon dioxide and water vapour. Combustion of one kilogram of fuel oil yields 3.15 kilograms of carbon dioxide gas. Carbon dioxide emissions are therefore 3.15 times the mass of fuel burned.

Calculating the Environmental Impact of Aviation Emissions, Oxford University Study (PDF file)

This may seem anti-intuitive at first glance, but it’s a result of each atom of carbon reacting with two atoms of oxygen to produce CO2. The “extra” weight is being drawn from the air (hence why a fuel fire will die out if deprived of oxygen).

Using the 3.15 multiplier, we see that the combined liquid fuels from an average barrel of crude oil will produce a minimum of 317kg of CO2 when consumed.

* I don’t have more recent numbers, but there’s no reason to assume 1995 wasn’t a representative year.

** 1: automobile grade fuel. 2: includes home heating oil and transportation diesel. 4: industrial grade fuel oils; used in ships and oil-burning power plants.

*** Still gas, coke, asphalt, road oil, petrochemical feed stocks, lubricants, etc.

**** Specific gravities taken from this list. The value of 0.92 is an educated guess for what is a mixture of heavy oils with a range of specific gravities. I will gladly accept correction if someone can point me towards a more accurate number.

74 comments  |  Posted in: Opinion


20
Mar 2008

Oil Companies and Climate Change Redux

A while ago I received an email from a friend asking whether or not I had a number for the amount of CO2 emitted by a barrel of oil. I searched for a while but couldn’t turn up anything definitive. So, given I know a little bit about the subject, I decided to work it out myself. The calculations can be found here: Oil Companies and Climate Change. After a few conversions, it turns out that the amount of CO2 produced by the liquid fuel products of an average barrel of crude oil is 317kg.

That’s simple enough and is pretty uncontroversial, I believe. The calculations themselves are not difficult, and anyone who paid attention in high-school chemistry should be more than capable of them. The only thing that made my calculations in any way noteworthy is the fact that I appear to be the first person to have published them in an easily accessible (via google) place. Nothing more.

I then took that 317kg (which was the primary goal of my work, as it’s a useful reference figure) and applied it to a specific real-world project. In this case, the Peterhead / Miller Field carbon capture scheme proposed by BP. According to the BP press release:

Injecting the carbon dioxide into the Miller Field reservoir more than three kilometers under the seabed could extend the life of the field by about 20 years and enable additional production of about 40 million barrels of oil that are not currently recoverable.

And in the following paragraph:

The project would also permanently store 1.3 million tonnes of carbon dioxide, the equivalent of removing 300,000 cars from the roads.

Based upon these figures, provided by BP, it is clear that the 40 million barrels of oil will generate (multiply by 317kg) approximately 12.68 million tonnes of CO2. Which clearly dwarfs the 1.3 million tonnes that BP claims will be stored.

My calculations were cited by George Monbiot in a recent Guardian article, as a demonstration that the claims being made for carbon capture are somewhat dubious.

However, in a response to Monbiot’s piece (via Tim Worstall) comes this:

In 2005 BP proposed to build a new gas-fired power station at Peterhead, capture the carbon dioxide produced and use it for enhanced oil recovery in the Miller field below the North Sea; this innovative project could have been up and running in 2009. Monbiot is wrong to suggest that the plan would have led to more carbon emissions than savings: between 1.8m and 2m tonnes of carbon dioxide would be injected each year over 20 years, producing an additional 40m-60m barrels of oil. Taking the higher numbers, 40m tonnes of carbon dioxide remains underground, while burning the oil produces approximately 20m tonnes; twice as much carbon dioxide is stored than emitted.

The abandonment of the Miller scheme due to lack of government support means a loss of $6bn in oil revenues and a missed opportunity to take a lead in reducing carbon emissions.

Professor Martin Blunt
Department of earth science and engineering,
Imperial College London

The important piece to note here is: “between 1.8m and 2m tonnes of carbon dioxide would be injected each year over 20 years”. While this doesn’t affect my “carbon-per-barrel” number, if true, then clearly it radically alters the figures for the BP project under discussion.

I’ve spent the morning on the phone to various people in BP (you would not believe how difficult it is to track down someone who knows what they’re talking about, let alone someone who has even heard of the project in question) and was eventually informed that contrary to the statement in their press release, the 1.3 million tonnes is indeed a per annum figure (they don’t know where the 1.8 to 2 million figure came from, but they do claim 1.3 million per annum).

This — if true — invalidates my claim that the project would produce far more CO2 than is captured. Worse, far worse, it undercuts Mr. Monbiot’s article and I feel completely sick about that. In my defence, I was carrying out my calculations based upon figures published by BP, and I’m not sure I should have expected them to grossly underestimate the amount of CO2 being captured by their own scheme. But all the same, I’m afraid I must apologise to all concerned, particularly George Monbiot. There’s few things worse than being responsible for errors in someone else’s work. Really makes you feel like crap.

16 comments  |  Posted in: Opinion


8
Mar 2008

Me and Maggie Thatcher

The news came across the wires. Thatcher’s been admitted to hospital, they said. Tests, they said. And I wondered if the old woman was going to die this time. Would this week be the one filled with headlines about her death? And what would those headlines read?

Certainly there’ll be the tributes. Lots and lots of tributes. And many of them will be coming from those who should know better. Or, at least, did know better. There’ll be hagiographies a-plenty and the long-compiled documentaries will finally get their airing.

But there’ll also be those unwilling to hide behind the worn shield of speaking no ill of the dead. Such a strange taboo. As though history were not already littered with the inglorious and often ill-spoke-of dead. No, some will refuse to remain mute. To allow the moment merely to pass in bitter remembrance, but respectful silence.

Because she has earned contempt. Not respect. And to allow the inevitable revisionist airbrushing to get underway without objection, without an attempt to provide balance. Some sense of reality. Now that would be a real crime.

I was reading a messageboard. Somebody had posted the news of Thatcher’s hospitalisation. It was soon followed by the brief observation, “best news I’ve heard all day”. Someone else responded, “Can you think of a better PM in your lifetime…?” And it appears, as divisive as she was in power, she remains so today.

I didn’t experience Thatcher’s rule in the same way as many. I wasn’t living in Sheffield in the 1980s. Or Derry. Or Glasgow. Or North Wales. Or serving on the General Belgrano. In fact, when I arrived in England in the late 1980s, it was as someone in a position of privilege. That was thanks to the policies of decades of American presidents who aggressively promoted the interests of their transnational corporations, rather than anything Thatcher had done, but nonetheless I was never at the sharp end of her policies. Because of this, I don’t have that gut-level sense of jubilation at the thought of her death that some of the people I know possess.

All the same, even as a teenager I was aware both of how fortunate I was to be such an obvious beneficiary of capitalism, and also of how fundamentally unjust the entire system is. Some of my formative years were spent viewing “the developing world” from behind the windows of Hilton Hotels. If you’re one of those embarrassingly sensitive youngsters, that’s the kind of experience that poses lots of troubling questions.

Some people dismiss this as “liberal guilt”. But that’s bullshit. I’m Irish Catholic. What I don’t know about guilt isn’t worth knowing. It wasn’t guilt. Not for me anyway. No it was, rather, a sense of despair. I believed — as I still believe — that the human race has both the talent and the resources to ensure that millions of us don’t have to live in a condition of extreme poverty on the very edge of starvation. Yet we allow it to happen. More than that, we’ve built a global economic system that positively encourages it. Requires it, even. The collective will to help others simply did not exist within us. And the more I thought about that, the more angry I became.

But angry at who? Well first I was angry at God. For making me believe we were made in His image and then providing clear proof that we weren’t. Genuine religious faith is a terrible thing to lose, let me tell you. Then I got angry at my Dad. How dare he be so successful? How dare he try to elevate himself and his family above the suffering I so despised? And see, that didn’t make much sense either. Then I got really angry at myself. Much to my surprise, that didn’t do much good. And all the while I’ve been especially angry with The System. With The Man. Even when The Man was me.

And Thatcher, you see, is one of the many faces of that system. A personification of the injustices of the human race. She openly embraces that darkness in the human heart that condemns us to live out our worst aspects. My despair. My complicity. Even the futility of my opposition. All are contained within Maggie Thatcher. While her death won’t change any of that, it will at least represent that possibility. And for a few moments, I will enjoy that much.

Goose Green (Taking tea with pinochet) by Christy Moore

8 comments  |  Posted in: Opinion