18
Mar 2007

A visit from the dead

Did I say a head-cold? I’ve had nothing of the sort, dear reader. I didn’t have the physical strength to make it to the doctor, so never managed to get diagnosed. Nonetheless, I’m pretty certain I had an as-yet undiscovered variant of Ebola that lasts about a week. Either that or a temporary case of Creutzfeldt-Jakob disease or Double-Malaria. Something really nasty anyways.

Well, perhaps not Ebola. All the same, it was no ordinary cold. In all honesty, the last time I can recall being so physically debilitated was when I was struck down with a fever in Brazil and was unable to make the short crawl to the bathroom without passing out at least twice (and that’s not an exaggeration). At least this week I’ve been able to make that journey without losing consciousness. Though it was a close-run thing on a couple of occasions. The weird thing is that it only lasted a few days… on Thursday I figured “well, this is obviously the difference between a cold and a flu”. But influenza lasts a good deal longer than four days. And a head-cold doesn’t send your temperature into the low hundreds, leaving you with full-on delerium and a tendency to pass out without warning. Also, at the risk of grossing you out, dear sensitive reader, I somehow managed to expel my entire body weight in snot and sweat. Which calls a couple of fundamental laws of physics into question.

Sleep Paralysis

And let’s not forget the sleep paralysis. When I was living in Brazil I took an anti-malaria drug called Lariam (for a giggle, check out the ‘side-effects’ section on its Wikipedia entry). I didn’t contract malaria I’m happy to say. Of course, nor did any of my companions, and they weren’t taking the stuff (presumably because they’d read the side-effects). So I can’t really credit the Lariam for protecting me from illness, though I can credit it for several months of seriously messed up nightmares. The most powerful of which was a terrifying instance of sleep paralysis.

I awoke in the middle of the night because — I felt — someone was shaking me… urging me to wake up. I was lying on my back, eyes open, staring into the darkness. But except for my eyes I couldn’t move any part of my body. It was difficult to breathe, and I became more and more terrified as I struggled vainly to move or to cry out. This was no ordinary fear… it came from a place dark and oceanic… a place of madness… and it was utterly overwhelming. Then, as my eyes slowly adjusted to the near pitch black, I became aware of another presence in the room. A small child — a girl of about seven or eight years old — was standing at the foot of my bed. She radiated an indescribable malevolence.

Time seemed to pass very slowly. And I wasn’t quite ‘right’ for several days.

I’d had a similar experience a couple of years earlier in Mexico. But I’d been consuming a lot of visionary plants during the preceeding few days and had — I believe — shifted my consciousness enough to allow me to better take it in my stride. When I explained it to my guide the following morning, he informed me that I’d had subida del muerto… a visit from the dead… an experience not uncommon to those who’d taken a lot of mescaline in a short period of time.

And then a couple of nights ago, it happened again.

This time I can point the finger of blame at neither mescaline nor lariam. This time it was fever-induced, but was no more pleasant for it. I awoke in the early hours of Saturday morning, again with the feeling that someone had shaken me awake. A faint grey twilight filtered through the curtains, indicating it was sometime around dawn. I was staring straight up at the ceiling, still in the grip of delerium, and that dark ocean of terror began to rise up within me just as it had in Brazil. It felt as though someone was pressing down on my chest but thanks to my position and the way the duvet had bunched up around my neck, my field of vision was restricted to a narrow strip of the ceiling. I was convinced that someone (or something) was there, standing next to my bed, leaning on my chest with their full weight. I urged my body to struggle against this pressure, to convulse in some way, but to no avail. A scene from the film The Serpent And The Rainbow, where a character has been ‘zombified’ and is unable to move during his “post-mortem” examination, leapt to my mind and I tried to scream… now overwhelmed with terror. But still I lay there completely immobile.

Once again, time seemed to pass slowly. Though in truth it may have been only a minute or two before I started to cough (thank heavens I’d been too ill to make it to the pharmacy for some cough medicine) which seemed to confer life to my body. I leapt from the bed, forgetting just how feverish and debilitated I was and promptly passed out. I regained consciousness a split second later as I crashed onto my bedside locker knocking over the almost full, but open, two litre bottle of water.

After a few moments of lying on the floor, I managed to pull myself back onto the bed and open the curtains. And there I sat, soaked and freaked out, staring at the gradually brightening sky while my terror subsided.

I hope, dear gentle reader, that you had a more pleasant St. Patrick’s Day.

I received a few emails regarding my last post, wishing me a happy birthday and responding to my ‘cheeky request’. Although my fever has broken, I’m still far from fully recovered. So while right now I’m off to lie on my bed and moan weakly about how I’m dying of ebola; let me first thankyou for your emails, apologise for the delay in getting back to you, and assure you that I shall reply tomorrow once I’ve regained a little more energy. I’m very grateful.

4 comments  |  Posted in: Opinion


14
Mar 2007

A cheeky request

I’m feeling a wee bit crappy. I’ve got a bastid head-cold (how many colds am I going to get this winter? Eh? Usually I get one a year, if that, around October time. I’ve already had two since Christmas. And I’m eating tons of fruit and drinking pure fruit smoothies like they’re going out of fashion. I’ve got vitamins coming out of my ears people! Not literally of course. That would be odd. And probably require medical treatment. But you get the picture). And the cold has arrived just in time for my birthday tomorrow (cash and high quality sensimilia to the usual address). Not that I had anything planned, but it’s still crappy timing.

I mention my birthday only because I just realised that this blog turned one-year-old last week (well, that and wanting the cash and high quality sensimilia). I’ve noticed most bloggers seem to mark the birthday of their blog in some way.

OK, now that’s done, onto that cheeky request…

… as some of you may know, I’m applying for a Masters commencing this autumn. An M.Phil to be exact… it may lead on to a Phd in Psychoanalysis in the future. Aaaaanyways… what with trying my hand in industry for a while, it’s almost a decade and a half since I was last in academia (and that university — UNL — has only gone and got amalgamated into London Metropolitan). I need an academic reference for my M.Phil application, and I suspect the best I’ll get from UNL / LMU is a rather impersonal letter from a lecturer who only half remembers me. Not that I’m unmemorable. Far from it, I hope. But it has been a long time and while I imagine I’ll get a recommendation that says good things about me, I want one that says remarkable things. So while I’ll get hold of the UNL one, I’m hoping to go one better.

And with that in mind, if any of my regular readers is an established academic who — having got a sense of who I am through my blog — is willing to say nice things about me in a letter, then I would be eternally grateful and will say very nice things about you at every opportunity. Even at the most inappropriate times. Also, I’ll buy the drinks if you decide you need to meet me prior to recommending me. My email address is jim ‘at’ numero57 ‘dot’ net.

2 comments  |  Posted in: Announcements


9
Mar 2007

Looking for a book

Not just any book. A specific one.

See, about fifteen years ago I read a novel. I can’t remember the title or the author and I haven’t got an entirely clear memory of the plot. But I do recall thinking it was very good, and I’d like to track it down again. Any chance, dear reader, that you know which book I’m talking about? Here’s what I do remember.

It is set, partly, in North London (in and around Finsbury Park) where the protagonist spends some of the novel living in one of those hotels that face onto the park. The main character is a man who is the victim of an (apparently) random assault in a supermarket carpark. He is shot in the head by his assailant but miraculously survives only to discover that he has been blinded by the attack. For much of the novel he is troubled by an image he cannot resolve, that of something shiny and red rolling through darkness. It is only later that he realises it was just a tomato, tumbling out of the grocery bag he dropped when shot… the last image he saw, burnt into his memory, before he is blinded. The cover of the edition I read was a blurred image of this.

The plot becomes strange, however, as the protagonist becomes convinced that he is seeing things, despite his blindness and this is further complicated by the fact that he may not actually be completely blind at all.

Any ideas anyone?

2 comments  |  Posted in: Announcements


7
Mar 2007

A World Without America

I was over at Chicken Yoghurt just now (reports of its death have been greatly exaggerated I’m happy to say) and discovered, via this post, one of the strangest videos ever to grace YouTube… A World Without America. I had to watch it a second time to confirm that the first hadn’t been an acid flashback. It’s so absurd in fact, that I’m at something of a loss as to how to interpret it. As a pro-American statement it fails so miserably as to come across as a badly-executed self-parody. But as a satirical look at political propaganda in general, it commits the cardinal error of being literally unbelievable. We already live in a world where energy companies talk about tackling climate change by increasing fossil fuel use (honestly!). So it takes an especially bad writer to produce satire so over-the-top as to seem silly rather than scathing.

Employing the device of short fictional news reports, the video presents a quick glimpse at an alternative recent history of… wait for it… a world without America. Literally. The world map has an extra ocean where the USA should be. It’s clearly aimed at two audiences. Firstly (though perhaps incidentally) it’s aimed that those of us who would describe ourselves politically as anti-American, and who — by virtue of our opposition to what we see as an aggressive foreign policy carried out by an extremist administration with only tenuous legitimacy — clearly want nothing more than to wipe an entire nation completely off the map, and live in a world where all the little children have polio (seriously… watch the video). Secondly and most importantly, it’s aimed at those who support America’s self-selected role in the modern world but who maybe get a little concerned that all this talk of A Perpetual State of War sounds a wee bit dodgy. It does this by assuring them that if it wasn’t for America (and by implication, America as it presently exists) then we’d all be commies, either living in perpetual fear of Saddam Hussein’s nuclear weapons, or dying of polio.

After the news reports, the video continues by flashing up a list of — what I can only suppose are — America’s greatest achievements. I was bemused to see “The liberation of the Falklands” listed along with “the bra”, “Elvis Presley”, “the motor-car”, “a democratic Nicaragua” (no, really) and “31% of global wealth”.

That last one is perhaps the most revealing of all. It tells you a lot about a person or organistion if they actively celebrate the expropriation of almost a third of global resources by less than 5% of the global population. A World Without America is a video celebrating, amongst other things, greed.

This should surprise nobody however, as A World Without America is produced by 18 Doughty Street… the online propaganda unit of the British Conservative Party. That’s not how they pitch themselves it goes without saying. Indeed, if it wasn’t for some recent intra-blog warfare, the fact that 18 Doughty Street is edited and financed by people with close ties to the Tory Party (including a prospective London mayoral candidate) wouldn’t be common knowledge.

Basically… and at the risk of blogging about blogging, 18 Doughty Street did an exposé on a NuLabor think tank which was using a legal loophole to register itself as a charity and get all manner of interesting tax benefits. Legal, but pretty damn unethical I think you’ll agree. Chalk one up to 18 Doughty Street, right? Well, no. It turns out that the person responsible for the video — a Mr. Iain Dale — was himself involved with a tory think tank. Guess what? Uh-huh… they use the same legal loophole. If all of that seems a bit vague, it’s because this all happened during my recent 2-month break from blogging and I can’t be arsed to go back and read every single post on the issue (there are many).

Anyways, the details are irrelevant. The relevant point here is that 18 Doughty Street is Tory public relations. Luckily for the rest of us, it’s run by a bunch of not-very bright people who seem to know even less about P.R. (no budding Edward Bernays is didactic doughty Dale) than they do about politics. And that’s not (just) me being insulting, it’s by their own admission. Well, the bit about not knowing much about politics. In a recent email, Iain Dale claimed not to know what the word “nihilism” meant. This is despite using the word himself in a prior broadcast. Now, I don’t know about you dear reader, but if you run a serious website under the tagline “Politics For Adults”, I’d like to think you have a rudimentary grasp of political theory. Perhaps I expect too much.

But back to A World Without America. It’s shoddy and it’s insulting and it’s as far from “Politics for Adults” as it is possible to get. I have no doubt that you could find a handful of people who describe themselves as anti-American and who genuinely seek a world without America. The trouble is; those people are lunatics. Serious people who consider themselves anti-American have a view that’s a little more nuanced than that. And if 18 Doughty Street wants to engage in politics for adults, then I suggest they put their money where their mouth is and address the anti-Americanism of rational adults, and not that of the lunatics.

I love America. I adore New York and wish I could visit my American cousins more often. And that’s literal cousins by the way. Like many Irish families, we spread a bit further west than Galway. I lived for a year in Chicago. And as for listing the praiseworthy achievements of Americans… believe me, I could go on for a lot longer than 18 Doughty Street’s strange little list. Though admittedly Elvis would be on mine too.

But in political terms, I describe myself as anti-American. I oppose the self-selected role America plays in the world. If it wants to play global policeman, then I have news for it… everyone in the world has to vote in US elections. Otherwise it’s a global tyrant. You can’t have it both ways. The people of Iraq did not elect George Bush. They had no representation in the political forces that decided to reshape their nation four years ago. That’s textbook totalitarianism.

And I oppose totalitarianism. I’m not claiming that the actions of despots can never have positive consequences (though in the case of Iraq, I would suggest that they have not). But I am suggesting that — excepting in clear cases of self-defence (anyone who tries to claim that the invasion of Iraq was self-defence should not expect a polite response from this writer) — the use of military force should be illegal, and should be considered a crime against humanity. I believe that militarism inevitably leads to despotism. And that to celebrate the role played by America in the modern world is to celebrate despotism and greed. Philosophically speaking, that’s halfway down the road to geniune nihilism, Iain.

It is my conviction that killing under the cloak of war is nothing but an act of murder.
– Albert Einstein

Mine too Albert.

Questions to 18 Doughty Street (re: A World Without America)

  1. Why is Stalin still alive six years after his death by natural causes? Do you know something about America’s role in his death that the rest of us don’t? Or are you just really bad at history (and googling)?
  2. You suggest that the world would never have developed a polio vaccine outside America. But you also suggest that the world would be held to ransom by foreign dictators with nuclear weapons. Who developed the nukes if not America? And might they not also have been capable of developing a polio vaccine?
  3. Why would Thatcher be meeting with the Austrian president if Austria was merely a Soviet republic?
  4. Why would Saddam Hussein be in power in 1999 when it’s well-established that his regime was propped up by… wait for it… America, throughout the 1980s? Wouldn’t a world without America be — by default — a world without Saddam Hussein? Do I need to dig out that photo of Rumsfeld getting all chummy with Hussein to illustrate the point?
  5. Finally; wouldn’t a world without America be a world without the world’s largest arms manufacturer and dealer? Wouldn’t that be a safer world? Or does 18 Doughty Street see no connection between guns and people being shot by guns?

23 comments  |  Posted in: Opinion


5
Mar 2007

Stations

Have you ever been on a five hour coach journey that became a twelve hour perdition due to bad weather? It’s pretty damn ugly let me tell you. Just arriving at a coach station is enough to shake a person’s confidence. The deep alien throb of two dozen large bus engines idling. It’s not the scream of jets, but you can still hear the planet burn. And while I’m far from being a religious man, and I don’t know about heaven or hell, I know for damn certain there’s a purgatory. The Catholics are right on the money about that one. It turns out you see, that the corporeal manifestation of the realm of lost souls forever denied grace… is the Irish public transport system.

And in one fell swoop, the Catholicism thing is explained. How else could that weird little gentleman’s club have held sway over a country for so long? For the answer; just show up at an Irish bus-stop and wait. I’m not saying it’s definitely enough to drive an entire nation to its knees, but it’s worth thinking about.

In truth though, torrential rains and galeforce winds making roads temporarily impassable is hardly a peculiarly Irish phenomenon. And half a day cooped up in a narrow coach seat isn’t noticeably improved by the nationality of the tarmac being slowly traversed. On that, sadly, I speak from bitter experience. A deep grimness cuts right to the soul. There’s a moment… about seven and a half hours into your five hour journey… as you pass what looks suspiciously like the halfway point, when you gradually become aware that you’ve exhausted every one of the limited number of possible positions your body can occupy in the restrictive confines of your seat. You enter a permanent stage of significant discomfort, and god help you if there’s a child within three seats. One with a toothache.

But as I say, coaches get delayed by bad weather all over the world. So it’s not really fair for me to lay this one squarely on the Irish public transport system. Unlike, say, when I want to catch the 75 bus to Stillorgan and find myself — an hour and a half into my wait — seething under my breath about how “I’ve been in third world countries with better public transport”. Which of course then gets me even more pissed off, because I don’t like the unconsciously patronising undertones of the phrase “third world” and I wonder whether my frustration at the bus is actually revealing cultural prejudice on some level. And nothing’s guaranteed to mess up your day more than a brutal dose of “dear god! maybe I’m even more riddled with unconscious prejudices than I thought”. Seriously, by the time I eventually get to Stillorgan I’m ready to emigrate again.

Please. Just take me to a place where the buses work… Is that really so much to ask?

2 comments  |  Posted in: Opinion


2
Mar 2007

Being most uncertain: And This Remains

It’s the old ‘first lines blog meme’ again. You know the drill by now; I set my music player on random, took only one track per artist, and obviously no track where the title is in the first line… leave your guesses in the comments (feel free to check out lyricsfreak.com if one of them is bugging you, but please don’t look one up on a search engine and then post the answer here). Instrumentals have also been cut out for obvious reasons.

  1. I listen for your footsteps, coming up the driveThe Beatles: Don’t Pass Me By – PMM
  2. Searchlights on the skyline, just looking for a friend
  3. Well, I’ll just skip the boring parts… chapters one, two and three
  4. Belligerent ghouls run Manchester schoolsThe Smiths: The Headmaster RitualPhil
  5. One summer evening drunk to hell, I sat there nearly lifelessThe Pogues: A Pair of Brown EyesPhil
  6. Well since she put me down I’ve been out doin’ in my headThe Beach Boys: Help Me RhondaChris Brooke
  7. Revolution never comes with a warningSpearhead: Yell Fire!Merrick
  8. All the towers of ivory are crumblingNick Cave & The Bad Seeds: Straight To YouGyrus
  9. Since I met you, this small town hasn’t got room for my big feelingsBjörk: Violently HappyRachel
  10. The myriad choices of his fate set themselves out upon a plate
  11. This is nothing like it was in my room, in my best clothesThe National: Mr. NovemberZoe
  12. Amplifiers and old guitars, country music sung in bars
  13. I’ve been watching you for ages, you’re like a boat without a mastThe The: Gravitate To Me – RA / PMM
  14. Alcoholic kind of mood, lose my clothes, lose my lubePlacebo: Nancy Boy – RA
  15. I heard a girl one day, she had these long tight legs
  16. Take me to the station and put me on a trainRolling Stones: No ExpectationsMerrick
  17. Well come along and walk with me, and learn the songs that lovers sing…
  18. Yeah! Yeah! Yeah! Yeah! Oh you are the groove, you’re like the planets when you move
  19. Little Johnny’s all messed up, ’cause first he jumped and then he lookedSpiritualized: Come TogetherPhil
  20. Watch your step! They’re all out spying.
  21. Where’s the love song to set us free?
  22. These things you keep; you better throw them away
  23. He like to frequent this club down up on 36th.
    Pimps and thangs like 2 hang outside and cuss for kicks

I’ve given you the first two lines of that last one… but it’s just such a glorious opening couplet that I couldn’t split it up (from an album I’ve threatened to rehabilitate in the past, and may yet try at some point in the future). I’ve also grabbed the seven that failed to be guessed last time I did this. It’s possible that an artist may appear in the list below who has already appeared above. Possible, but not guaranteed. Bonus points and all that.

  1. Y’say you’re lookin’ for a place to go where nobody knows your nameJohn Lennon: I Don’t Wanna Face It – Mahulahoop
  2. There’s comin’ a day when the world shall melt away
  3. We got into their little black book, so they came in a spaceship to take a look
  4. Don’t sleep ’til the sunrise, listen 2 the falling rainPrince: Free – Mahulahoop
  5. Oh my Lord, I am so boredDaniel Johnston: Held The Hand – Mahulahoop
  6. There’s space in my car… speed you to heaven
  7. My soul is in the mountains, and my heart is in the land

And an extra ten million bonus points for anyone who gets the reference in the post title. It’s not a first line.

18 comments  |  Posted in: Blog meme


25
Feb 2007

Dream haiku

Empty offices
I’m surrounded by signposts
And yet I am lost

3 comments  |  Posted in: Poetry


20
Feb 2007

Green Party support for BioFuels [updated]

This is a copy of a letter I’ve just emailed to one of my parliamentary representatives, Mr. Paul Gogarty TD. He’s a member of the Irish Green Party and my email was in response to a mail-shot on the subject of energy. Much of the leaflet was sound information on energy efficiency, renewables, grants for installing solar panels and heat pumps, a denunciation of nuclear energy… all good stuff. But the very first item is an article under the headline, “Biofuels can create new Irish jobs”. This piece heralds the worrying news that the EU has apparently set a target of almost 6% of transportation fuel to be sourced from biofuelstock by 2010.

I have a lot of time for The Greens, but am simultaneously irritated by their apparent desire not to rock the boat too much. If society decides to take the issue of Climate Change seriously, and in the face of a peak in oil and gas supply, then it will mean that individuals consume significantly less energy than they currently do. And although this may well provide long-term health and fulfillment benefits, it will be extremely uncomfortable, unpopular and maybe even unpleasant in the short to midterm.

Anyways… the letter…

Dear Paul,

I received your latest mail-out today (entitled €NERGY). With the exception of The Green Party, there is nobody in the political mainstream that comes even close to representing my views. Yet you seem to be doing your level-best to alienate even me, and turn my Green vote into a protest spoilt-ballot.

Your leaflet made some interesting points about energy efficiency, offered a rational dismissal of nuclear power and provided some useful information about renewable energy grants. But it also contained an extremely worrying recommendation of biofuels. You may as well have lauded China’s expansion of coal-power on the front page.

In fact, both your website and this latest mail-out trumpet “Biofuels” as a responsible alternative to fossil fuels. This is itself a wildly irresponsible position. The Chief economist at the UK’s Department for International Development recently estimated that “the grain required to fill a 25-gallon SUV gas tank with ethanol will feed one person for a year”. He may have been ’rounding-up’ the numbers for effect, but it still makes a mockery of biofuels as ‘ethical’ in a world where millions starve.
http://www.owen.org/blog/673

Even worse, George Monbiot’s excellent article, ‘Worse Than Fossil Fuel’, explains exactly why large scale biofuel projects have traditionally worked out as being even more carbon intensive than burning oil or gas!
http://www.monbiot.com/archives/2005/12/06/worse-than-fossil-fuel/

We live at a time when global climate change is perhaps the largest issue faced by our civilisation, and at a time when oil and gas supply could well be peaking. Organisations like The Green Party need to be loudly and frequently emphasising the need to dramatically scale back our energy usage as a society.

Yet such calls, where they are made in your literature, are greatly outnumbered and overshadowed by the glowing promise of more jobs (“Biofuels can create new Irish jobs”) and shiny new technology. One of the physical definitions of energy is ‘the ability to do work’. Our economy (the sum total of the work carried out by society) is no less than a giant engine to convert energy into material wealth. By promising more jobs, you are merely promising to accelerate that process.

Anyone who genuinely seeks to reduce carbon emissions needs to accept that the primary method of doing so must be a scaling back of economic activity. To promise such a thing may well seem like political suicide, but it would be honest. And I’ll always vote for the honest man above the good politician.

Yours sincerely,

Jim… (name and address provided)

[UPDATE] A Reasonable Response

Rather to my shock, Paul Gogarty TD responded to my email within a couple of hours of my sending it. More than that, he responded in a reasonable and measured manner which made my initial letter seem a wee bit shouty. I should probably make it a rule in the future not to write letters to politicians immediately having written a blog entry. It’s one thing being a bit strident and righteous when proclaiming to an unseen audience of billions; it’s quite another in a letter to another person.

Paul comes across very well in his response. I was just about to email him and ask if it was OK to post it here, when he posted it himself in the comments below (hi Paul!) which is where I’ll add a few further comments when I’ve worked out exactly what they are.

8 comments  |  Posted in: Opinion


20
Feb 2007

The methadone metronome

I don’t watch much television these days. There have been periods of my life when my weekly viewing probably matched the average American (i.e. waaaaay too much). And there’s been times when I watched none at all for long stretches. Growing up, I saw very little TV. There was one in the house but it was used sparingly and was heavily censored. My grandfather’s shrill denunciations of “that terrible box” reverberated throughout the many branches of my family tree. That terrible box was responsible for ripping the heart, and the church, out of Irish society he insisted. It sold selfishness and glossy foreign ways. I can vividly remember the furore when Dallas was first beamed into Irish televisions. It represented the death of Irish civilisation, and by extension – at least to grandad – the death of civilisation itself. It was brainwashing us into abandoning tradition and seeking lives of empty self-gratification.

Not that I want to paint the daft bugger as some kind of wise old patrician. His views about television may well have been perceptive, but his views on just about everything else were mad as a badger.

Just before I hit my teens (when my parents attempts at censorship would have ceased to be successful), we moved overseas and I spent the next seven years or so in countries where I didn’t speak the language. So I watched some CNN now and then, but basically the tellybox was where films on video appeared. By the time I hit my late teens I had unconsciously dismissed television as being trash. The world of soap-operas and sit-coms and light-entertainment and cop shows and cartoons was just one big gaping pit of cultural excrement. You could have pointed me towards David Attenborough‘s wonderful documentaries, or perhaps Monty Python’s Flying Circus. But my distaste for the medium blinded me to the idea that it had anything at all to offer.

The Truth Is Out There

Then, however, came The X-Files. For me, that was the beginning of television. In retrospect The X-Files was actually foreshadowed by Twin Peaks, but I came to that one late – many years after it had first been broadcast. I only stuck with The X-Files for the first few seasons, but it made me realise that the medium had finally matured to the point where something truly interesting could be done with it. This was sharp, smart, well-written stuff with production values that rivalled cinema. It was well-acted, had genuinely likeable characters and fit perfectly with the mood of the times.

But it wasn’t just like a half-length movie every week. The X-Files wasn’t cinema reinvented for the MTV generation. It was it’s own unique thing. You can do things over 12 or 20 episodes that you just can’t do in a film. In many ways, a good television series is far closer to a good novel than even the best cinema. The time exists to fully flesh out characters, to linger over intriguing sub-plots and to provide detail and atmosphere that would simply be sensory overload were you to compress it into 90 or 120 minutes. I think of good television as a form of literature.

Since The X-Files there have been a small handful of TV programmes that manage to reach or exceed the bar it set. Probably far fewer than there should be. But at the same time… it’s a wonder any get made at all, given the culture of anti-intellectualism that clearly exists within the television industry. For those interested; here is that list in its entirety…

  • Twin Peaks. David Lynch‘s gloriously warped masterpiece. The one that began it all. An FBI agent shows up at the isolated mountain town of Twin Peaks to look into the murder of young and beautiful Laura Palmer. He goes about investigating the crime as though the murderer was one of the locals, yet all the while connecting Laura’s death to a series of others that happened miles away. Twin Peaks is filled with some of Lynch’s most memorable characters and a rich, dark, claustrophobic atmosphere that infects your dreams. Special Agent Dale Cooper – played to perfection by Kyle MacLachlan – would feature high on a list of Great Literary Characters. A latter day Sherlock Holmes (who switched the cocaine and opium for something a little more psychedelic), Cooper attacks problems with a singlemindedness that usually appears anything but, and a method that is often – quite literally – madness itself. You still can’t get Season 2 of this on DVD, which is nothing short of criminal.
  • Millennium. This series was created by Chris Carter (the man behind The X-Files) and is – in many ways – superior to his more famous work. At least, the first two (of three) seasons are. If you assume the show ends at the final episode of season 2 then you have a near-perfect piece of television. It follows the experiences of Frank Black; another truly fine character, played this time by Lance Henriksen (Bishop from Aliens); an ex-FBI profiler recently recovered from a serious emotional breakdown. Frank gets visions. Of evil. And as the series progresses those visions become increasingly apocalyptic driving him closer to madness. The shadowy Millennium Group is trying to recruit Frank to their ranks, and as he battles to hold his family together in the face of internal and external pressures, the whole world starts to come apart at the seams. Dark as a dark, dark thing. And then some.
  • Buffy The Vampire Slayer (including spin-off series, Angel). The best of them all. Potentially never to be bettered. Joss Whedon created one of the great works of literature of the late 20th / early 21st century, yet lots of people still think it’s “just Beverly Hills 90210 with monsters”. Certainly that’s the phrase I used when my friend Justin recommended it. I seem to recall he described it as “the best thing ever”. He was right. The premise is deceptively simple… vampires, zombies, werewolves, demons, ghosts… “everything you’ve ever dreaded was under your bed, but told yourself couldn’t be by the light of day. They’re all real!” But luckily for the human race, there’s one girl in every generation gifted with special powers to fight the hordes of darkness… the slayer. Sarah Michelle Gellar plays the lead role, but Buffy is very much an ensemble piece. That’s the beauty of the show; it’s actually about human relationships. Not monsters. From the beginning of Season 1 to the final moments of Season 7, the central theme of Buffy The Vampire Slayer is the human condition. Just like almost every truly great work of literature. The supernatural setting merely provides the writers with a wonderfully colourful backdrop against which to explore that condition. So in one episode they can magically remove everyone’s ability to speak… almost an entire episode with no dialogue. In another, Buffy gets the ability to hear everyone else’s thoughts… rapidly driving her insane. In yet another she becomes convinced that her entire world of vampires and demons is a psychosis she’s experiencing while confined to a lunatic asylum. In another, everyone gets their memory wiped by a spell gone wrong. Over and over these fantastical premises are used not (merely) as rollicking good eye-candy, but to highlight the strengths – and the frailties – of the human heart.
  • Firefly. Like Chris Carter before him, Joss Whedon decided not to follow the massive success of Buffy by retreading the same ground. And like Chris Carter before him, this clearly displeased the moneymen. Firefly was never going to sell calendars and mousemats and pencilcases the way Buffy did. It just wasn’t that kind of show. Mind you, at its deepest level, Firefly had exactly the same premise as Buffy… a bunch of outsiders and misfits unite against a hostile universe, and through their love and friendship forge a life worth living. The Ur-Plot. I guess most people will be more familiar with the later film, Serenity, than with the original source material. Which is a tragedy of sorts despite the movie being excellent in its own right. Firefly was cancelled after half a season, and the film serves as a stop-gap “end” to a rich story that had been slowly unfolding. For those unfamiliar with either the film or the TV series, Firefly follows the travels of a starship, ‘Serenity’ (a ‘firefly’-class freighter), as the crew scrape a living on the galactic frontier, all the while evading the law… hot on their heels (in the form of shadowy, sinister covert agents as well as big starships filled with uniformed troops). It’s the life you imagine Han Solo was leading right up until that fateful day in Mos Isley. That said, there’s no aliens in Firefly. Space turned out to be empty when mankind started to explore it. Instead the setting is a very human one. It’s a dirty, dusty future that fuses China with the Wild West. And gone are Buffy’s highschool misfits to be replaced by a bitter war-veteran (from the losing side) and his best friend. Then there’s the best-friend’s Hawaiian-shirted pilot husband; the good-hearted and lovely ship’s engineer; an elderly disillusioned priest; a high-class prostitute; a once-wealthy and influential doctor and his young sister (the character around whom the primary plot arc revolves). The writing was of a quality you rarely encounter in any medium… somehow the characters that Joss Whedon creates have a life and a reality to them that makes him the envy, certainly of this writer, and I suspect many others too.
  • Veronica Mars. Yet more Californian highschool shenanigans. This time though, we dispense with the supernatural and the science fictional. Veronica Mars does to the Whodunnit? genre what Buffy did to horror. The show starts a year after the murder of Veronica’s best friend. A year in which her life has been turned completely upside down. I wouldn’t be doing justice to the gloriously convoluted plot were I to try and summarise it here. Rob Thomas has clearly drawn a lot of inspiration from Raymond Chandler‘s novel The Big Sleep as well as the film based on it, and the whole genre it typified. At the same time, Veronica Mars feels fresh and very relevant… one of the central themes of the first two seasons is the economic inequalities that blight American (and by extension, Western) society… as rigid a class system as has ever existed despite the superficial “anyone-can-make-it” classless nature of America. When Veronica describes her school she points out, “if you go here your parents are either millionaires, or your parents work for millionaires.” Veronica is an exception, and is in the unique position of knowing what it’s like on both sides of the fence. Her father used to be the town Sheriff. Top law man. And power is as good as money. But when her Dad accuses the richest of all the rich men in town of the murder of his own daughter; Veronica’s best friend; he finds himself hounded out of office and becomes a Private Detective to pay the mortgage (and, it turns out, to continue his investigation into what really happened the night of the murder). Philip Marlowe meets Buffy without the monsters. But in a very very good way.
  • Battlestar Galactica. I’m the first to admit that this programme shouldn’t be half as good as it is. I mean, a remake of a dodgy 1970s space opera famed as much for the preening ponces on the flight deck and their godawful cheesey dialogue as for the ludicrous Greek-mythology allusions. But the creators of the show (and it does seem to be the creation of a team, rather than the vision of one person implemented by a team) have clearly taken a leaf or three out of Joss Whedon’s book. The look and feel of the show is straight out of Whedon’s Firefly… a fact that’s very much to its credit. And just as with Buffy, the fantastical setting is used simply as the backdrop against which the writers can explore human relationships and moral problems. And it is when examining ethical and moral issues that Battlestar Galactica is at its best. The first two seasons are excellent television and alone warrant inclusion in this list. However the third season opens with — to my mind — perhaps the six finest episodes of television ever broadcast. Using the science-fiction setting to create the necessary ‘distance’, the programme examines — amongst other things — the potential justifications for terrorist attacks against an occupying force, up to and including suicide bombings. It does so in a shockingly direct and — dare I say it — compassionate way. More than once while watching I was reminded of Talking Heads’ Listening Wind. Can there be higher praise?

If I’ve omitted something obvious, then let me know. But that short list pretty much covers — for me — the literature of television. My stance with regards to that terrible box has mellowed a little over time, and there’s plenty of other things that are occasionally “worth watching” (The Simpsons, The Mighty Boosh, Futurama, etc) but by and large, when you consider the sheer number of hours of programming broadcast in the English language over the decades, it’s a disturbingly short list.

22 comments  |  Posted in: Reviews » TV reviews


16
Feb 2007

Catching up Two

Ummmm, first I’d like to pose a quick question of style, dear patient reader. Do you think it’s better for a blogger to write three or four short posts, each about a specific topic or news item or whatever; OR, one longer piece incorporating all? Y’see, my natural tendency is to write vaguely chatty meandering posts that take in a few issues… sometimes giving them their own sub-heading, sometimes just allowing them to run into one another and do their own thing. It’s how I think… probably has something to do with spending the 90s trying to be both a philosopher and an industrial engineer. And I’ve noticed that I’m very much in the minority on this approach to blogging. Most go down the several shorter posts road. While that clearly makes a blog easier to reference and arguably more useful as a source of information (as far as a blog can be), it’s just not the way I write.

All the same, if a huge majority of my readership (say… three or more) felt that shorter, punchier posts might make this a groovier place, then I’d certainly give it some consideration.

Which doesn’t mean I’d change my style of course. A part of me would indeed consider it, but there’s also a part of me that would think, “oh, who gives a rat’s arse what they think?” And I’m not entirely sure which part of me would win that battle.

All of which is a characteristically verbose introduction to another, ooh look! a collection of links and a paragraph about why each of them is noteworthy post. Dig.

First up is Steve Bell’s most recent “Dr. John” Reid cartoon. What I find both chilling and very funny (don’t you love art that inspires wildly conflicting emotions?) is the fact that the cartoon merely depicts Reid along with a caption that accurately sums up his position on freedom of speech. It’s phrased wickedly, of course, but it’s basically no more than a bald statement of fact. Lovely.

Then we have the news that a US Air Force pilot has been demoted / forced to resign because she posed naked for Playboy. Of course, anyone who knows me will immediately realise that I’m only drawing attention to this story because it allows me to quote Apocalypse Now in context… not that you really need a justification for quoting The Now whether in or out of context. All the same, who can read that story and not hear the voice of Kurtz…

We train young men to drop fire on people. But their commanders won’t allow them to write “fuck” on their airplanes because it’s obscene!

Can you think of anything more ridiculous than an organisation that trains its members to more effectively murder people, getting squeamish when one of them flashes a bit of flesh?

But I wouldn’t want to think all the best stuff is happening in the mainstream media. Cos it ain’t. You never ever get lines like, “It illustates more eloquently than my analysis ever could just how utterly fucking deluded Mr Bond is.” in the mainstream media. And the world is a poorer place because of it. Read Merrick’s short but sweet piece over at Bristling Badger; have faith in the market.

Meanwhile, on the ever-readable journal of David Byrne is one of the best bits of writing I’ve read online for quite a while; Free Will, Part 2: Support Our Troops. I have to wonder though… is he dropping by and nicking my ideas…

Is there such a thing as a psychology of nations, of people? Do nations get neurotic? Crazy? Sad and angry? Bitter and resentful? Proud and arrogant? I think maybe they do.

Oi David! That’s my Masters Thesis… back off mate! Or at least wait until I’ve been accepted onto the course.

Although I’m no longer a Londoner, some my friends are. I still take a great interest in the goings-on of London, and still have a bit of a soft spot for Ken Livingstone despite his conversion from Red to Reddish-Purple. Without a doubt, one of the best things Ken did was to start the process of forcing car owners to pay for some of the damage they do. For this reason, reports of the Congestion Charge being a failure should be vigorously exposed as the blatant lies they are whenever they appear. For more on this, head over to Pigdogfucker and read Lies, damn lies, and the Congestion Charge.

And in brief…

  • On Everday Apocalypticism over at Smokewriting… “the sense of having participated in an apocalypse which one failed to notice”. What a splendid turn of phrase. Rochenko’s post tackles some of the the same themes that David W. Kidner explores in Nature & Psyche: Radical Environmentalism and the Politics of Subjectivity (I imagine. I only started reading Kidner’s book today having been delayed by a pressing need to re-read Nineteen Eighty-Four).
  • At Random Speak, L has discovered one of the most startling statues I’ve seen in a long time in Another Post on Odd Art. It’s difficult to believe the sculptor didn’t know exactly what he was doing.
  • Via Perfect I discovered this long but excellent essay by Jonathan Lethem; The Ecstasy of Influence. Well worth a read for anyone interested in the creative process and how it relates to the expropriation, rearrangement, remixing and fusion of pre-existing ideas. The first novel I wrote contained two chapters which were entirely composed of cut-up and rearranged Jorge Luis Borges stories… done the old-fashioned way too, enlarged in a photocopier and physically cut up and pasted onto card… none of yer fancy software solutions. So Lethem is very much preaching to the choir with me, but a fascinating piece nonetheless.
  • Justin at Chicken Yoghurt has this to say in his latest post… “This blog is now taking a break. I don’t know how long that break will be but hopefully it won’t be a permanent one.” This is sad news indeed and displeases me enormously. No doubt the chap has his reasons. But it’s still bad news and his voice will be missed. There’s a whole Serious To-Do going on in the UK political blog scene right now with threats of legal action being made left, right and centre. Well, mostly ‘right’ actually. I’ve avoided the subject but may well weigh-in with a suitably inappropriate comment or two in the near future that’ll offend absolutely everyone involved and see me vilified and attacked with sharp lawyers.

6 comments  |  Posted in: Opinion