23
Sep 2008

The bloody greens

Over at Bristling Badger, Merrick has been publishing his correspondence with the UK Green Party on the question of whether hydrogen should be pursued as the vehicle fuel of the future (hint: it shouldn’t be).

Needless to say, he’s not made a great deal of headway as yet.

The problem is as simple as it is age-old… namely that the first job of any politician is to take and maintain a position of power. All else is secondary (and that goes for Greens, Reds, Blues and every other colour). No one will get elected if they admit, for example, that part of the only guaranteed solution to our current problems is the abandonment of the private car. Even if it is true. So instead they promise pipe dreams.

In a way this is made even worse when the politician in question claims to have lofty ideals… the nonsense and obfuscation they come out with in order to avoid admitting that their ideals are secondary to their search for power can be stomach-churning to watch.

What is true is that the idea of power corrupts. Power corrupts most rapidly those who believe in it, and it is they who will want it most. Obviously, our democratic system tends to give power to those who hunger for it and gives every opportunity to those who don’t want power to avoid getting it. Not a very satisfactory arrangement if power corrupts those who believe in it and want it.

Perhaps there is no such thing as unilateral power. After all, the man ‘in power’ depends on receiving information all the time from outside. He responds to that information just as much as he ’causes’ things to happen… it is an interaction, and not a lineal situation. But the myth of power is, of course, a very powerful myth, and probably most people in this world more or less believe in it. It is a myth, which, if everybody believes in it, becomes to that extent self-validating. But it is still epistemological lunacy and leads inevitably to various sorts of disaster.

– Gregory Bateson | Steps To An Ecology of Mind

Here in Ireland we have the Green Party in coalition. The rate at which they have abandoned every single one of their principles is beyond satire and has guaranteed them at least one less vote at the next election. The final nail in their coffin, however, was hammered-in over the weekend when John Gormley, party leader and Minister for the Environment, appeared on the main evening news.

Before I report what he said, let me take you back a year to the Green decision to join the coalition government. By voting for the Greens, which — much to my regret — I did, I believed that I was voting for the manifesto they campaigned on. I realise this was naive of me, but I didn’t really expect them to help prop up the incumbent Fianna Fáil government (whose economic irresponsibility has resulted in a criminal waste of resources). I believed I was helping to propel the Green Manifesto onto the opposition benches where it would be heard but not diluted.

Sure, you’d have to strain to hear it, but it would be there.

Instead the manifesto was abandoned almost wholesale as the Greens rushed into government. In exchange for two ministries and six votes, Fianna Fáil persuaded the Greens to ditch all but one of their commitments. Gormley even justified this decision by claiming that the single-most important issue facing Ireland — facing the world — is Climate Change. Therefore, the Greens would support Fianna Fáil in return for a Programme of Government that included a cast-iron commitment to reduce Ireland’s carbon emissions by a minimum of 3% per year during the lifetime of the government.

That was the deal that was made. I disagreed with it at the time for a bunch of reasons, but mostly because anyone with half a brain (i.e. not someone addled by the desire for power) could tell that the Greens were being bought off with a cheque guaranteed to bounce.

And now it has done. At the end of last week, a report was leaked that demonstrated clearly that not only was this commitment not going to be met, but that Irish carbon emissions had previously been significantly understated and furthermore were actually still rising. So a year after taking power, on their one clear commitment; that single thing we were asked to judge their performance on; the Greens have unequivocably failed.

Gormley, though, appeared on the news to answer this point. His response was predictable and pathetic in almost equal measure. He passed the buck.

I’m not the minister for finance, and I’m not the minister for transport, nor am I the minister for agriculture… so I’m very much dependent on other ministers coming forward.

Amazing stuff. He sold out his manifesto for a seat in government which would enable him to push through emission cuts. It’s only now he’s woken up to the fact that he doesn’t have the power to do a sodding thing about it. I’ve seen him speak; he doesn’t strike me as a stupid man; so how could he have failed to see that one coming? Damn near everyone else did.

The Taoiseach is well-aware of my concerns, as are other ministers, says John. Well that makes it all OK then. He is concerned and everyone is aware of it. All that’s needed now is to develop the technology to convert Mr. Gormley’s concern into clean, zero-emission energy.

Even worse; Mr. Gormley admitted in April this year (in a speech entitled… wait for it… “Putting Vision Into Action”) that he believed we have a “10-year window” to address Climate Change. On the news last weekend he stated that not only would it “be premature” to speculate on the solutions to our emissions growth, but that none of the emission-reduction measures that have so far been put in place in the transport sector would have any significant effect before 2020.

While only a couple of months ago, the Deputy Leader of the Greens, Mary White, was attacking the opposition for their temerity to criticise the environmental record of the government. “Both [opposition] parties”, she insisted, “seem to have forgotten the major steps that the Government has made in tackling the causes of climate change.”

It’s difficult to forget something that never actually happened, Mary.

At the time the Greens entered government I wrote that what concerned me most was not that they’d be ineffective — which was self-evident. My biggest concern would be that they’d deal a significant blow to the environmental movement in Ireland. By allowing people the opportunity of a “fire-and-forget” option, they would severely curtail environmental activism. Those who were concerned about Climate Change could cast their vote and unburden themselves of the responsibility to take further action.

So well done to the Irish Green Party. You have joined a government that is implementing policies guaranteed to raise total emissions. But at least everyone knows how concerned you are.

4 comments  |  Posted in: Opinion


20
Sep 2008

Me and Gregory

Time and again over the past few months I’ve found myself in discussions (both in person and online) with highly intelligent, articulate and well-intentioned people with whom I was completely unable to find a common ground. On a variety of topics… from economic policy to Climate Change, creationism to group psychodynamics, sustainability to local politics, the credit crunch to the oil industry… I find myself totally isolated and end up doubting myself… wondering if maybe I haven’t got it wrong after all.

At the same time, I made a promise to myself when I started studying psychoanalysis and group psychodynamics that I would follow my own research and conclusions wherever they led… even if they led to unpopular or unfamiliar places.

Even so, and I’ll only say this once to get it off my chest and I’ll then shut up about it, lest I appear like I’m whinging (though what else is a personal blog for, if not for whinging?)… I have reached the stage where I’m finding it incredibly frustrating and disheartening that everyone I speak with finds my views wrong-headed or mystifying or objectionable or silly. It’s almost like the only person in the entire world who agrees with me is Gregory Bateson.

And he’s dead.

2 comments  |  Posted in: Opinion


17
Sep 2008

Head around the door

Hey y’all.

I’ve received a couple of emails (both within minutes of one another, oddly enough) from people wondering what’s happening with me and this blog. Have I given up on this place? Have I jumped off a building in response to the hideousness of everything?

Well no.

I’m still alive and well and I still intend to keep this place going. Thing is though, it’s now less than 3 weeks until my thesis deadline and when I sit down at this desk, I’m really not thinking about much else.

Expect a triumphant return soon(ish). Until then, check out my blogroll if you’re after something to read. It’s all good stuff. Alternatively get hold of Gregory Bateson’s Steps To An Ecology of Mind if you fancy visiting the weird and wonderful headspace I’m currently occupying.

Cheers for now………

Leave a comment  |  Posted in: Announcements


18
Aug 2008

Invalid XHTML

Just a bit of web-tech administrivia for those of you interested in such things. Having always displayed a “Valid XHTML” button discretely on this site, I’ve just discovered that YouTube has been making a liar out of me ever since I started embedding their videos.

I’m sure there must be a way of sorting it out, but I really can’t be arsed right now. Until I look into it though, I’ve removed the “Valid XHTML” tag.

Other YouTube embedders beware!

1 comment  |  Posted in: Announcements


9
Aug 2008

A person of good character (pt 1)

The book-meme post got me thinking about literature (as it was bound to do) and about what makes good literature. Leastways in my eyes. Clearly I’m not the first person to tackle that question, and I suspect there’s little truly original to be said on the matter. So this won’t be a long insightful (or inciteful) essay on the subject of literary value. Instead it’ll be another bloody list, which takes far less time and effort, and won’t be out of place here in the blogosphere.

And it’ll be a list of characters. You see, I thought about literature and the myriad interacting factors that make for a good piece of fiction. There’s plot, characters, dialogue and that indefineable thing called “style”. Those would be — for me — the Big Four. Obviously there’s plenty of other factors too (political position, theme, structure, setting and so forth). And there are those who would insist that “theme” is a far more important factor than “dialogue” for instance. Or that the political message of the book is as important as anything else. It’s a subjective thing.

The best novels have them all of course; a great plot, wonderful characters with whom the reader can strike up a relationship based upon empathy rather than mere “interest”, believable dialogue all tied together with a writing style that allows the words to flow into your mind, rather than appear before your eyes. Add a political message that one agrees with, a theme that flirts with redemption but never to the point of fantasy, a story structure that doesn’t have you wondering what the hell is going on half the time (occasionally being forced to wonder what the hell is going on is a good thing; do it too often and the book becomes less interesting), a setting you can either identify with or is gloriously exotic, and so forth.

Eventually you end up with a Pynchon novel, of course. But you knew I was going to say that.

I figured the easiest of all those factors to identify would be “good characters”. Incidentally, good characters almost always need good dialogue… otherwise they cease to be good characters very quickly… but the two are indeed quite separate and I’ve read books with great characters but iffy dialogue (The Great Gatsby) as well as the converse (can’t think of one off the top of my mind, but there’s more than a few dull characters in the world of literature who are rescued by the author’s ability to write a good line of dialogue or two… in most of Woody Allen’s movies for instance, the characters rarely get truly fleshed out, but who honestly cares when they’re saying the things he writes?)

Anyways, as an antidote of sorts to the book-meme post which contained a good deal of negativity, I now present my list of the finest fictional characters ever created. Not a duff one among them. And these are “fictional” rather than “literary” characters as there are one or two from more modern media. As usual… no specific order to these… just writing them down as they come to me.

  • John Constantine: My favourite fictional character by a country-mile. There’s no order to his list, but if there were, John Constantine would still be first. Originally a creation of Alan Moore in his Swamp Thing stories, John Constantine is nonetheless as much a Garth Ennis character as a Moore character. Ennis wrote many of the best Hellblazer stories (the graphic novels in which John Constantine is the anti-hero) which is really where the character sprung fully to life. Constantine is a magician. Not a stage illusionist, a real-life magick-user who consorts with demons and angels as well as all manner of low-life human nasties. He is bitter, cynical, self-obsessed and haunted by a horrific past… yet he’s also incredibly likeable. He cannot be relied upon to Do The Right Thing, though he often does so reluctantly. In fact, in probably the best of the Constantine stories (The Long Habit of Living) he knowingly and deliberately places the entire human race in serious jeopardy in order to cure his lung-cancer. He’s an utter bastard who you’d stay as far away from as possible were he real (he generally ends up being responsible for the grisly death of his close friends) but who you root for without reservation while reading the stories. Never, ever, ever, ever see the movie.
  • Sherlock Holmes: Most people know all about Holmes, so I won’t go on too much about him. Like most of the literature of that era, the Sherlock Holmes stories often feel — to me — as though they’ve been caged by the culture they came from. As though there was so much more beneath the surface that had to be left unsaid because of the phoney morality of the time. All the same, Holmes somehow escapes the cage (I think Mycroft may have smuggled in a key somehow) and becomes a wonderfully 3-dimensional character as the stories progress. Most of the other characters are merely props, of course, with which to explore the methods and psychology of Sherlock himself. All the same, because he is such a wonderful character, that flaw (and the many others) don’t overshadow the stories. Personal favourites? Probably the two stories that introduce his two greatest opponents; The Adventure of the Final Problem (Professor Moriarty) and A Scandal in Bohemia (Irene Adler). Jeremy Brett is the definitive screen Holmes.
  • Agent Dale Cooper: Created by David Lynch for his TV series Twin Peaks, Dale Cooper is an FBI agent with a difference. When I mentioned him before on this blog I wrote: “A latter day Sherlock Holmes (who switched the cocaine and opium for something a little more psychedelic), Cooper attacks problems with a singlemindedness that usually appears anything but, and a method that is often – quite literally – madness itself.” Mind you, there’s an obvious mistake in that description (Sherlock Holmes’ narcotic of choice was morphine rather than opium).
  • Zoyd Wheeler, Brock Vond and Frenesi Gates: There’s just no way I could pick a single character from Pynchon’s Vineland. Like almost all of his novels, it’s an ensemble piece, and choosing one character above another would be impossible. As it is, I’ve left out a few others who are worthy of mention (Takeshi, Prairie and — of course — DL). Yeah, I’ve heard the objection that “they’re not characters at all!” and certainly Zoyd is not merely a man, he’s also the unrealised dream of the 1960s, Frenesi isn’t just his ex, she’s also the inherent contradictions of feminist politics and Brock isn’t just a total asshole, he’s also The Law. But that’s what makes Pynchon so wonderful in my eyes. They feel like real people to me, even in those passages when they are obviously being used primarily as symbols to make a political point.
  • Doctor Benway: OK, hardly a well-rounded character. Hardly more than a scary bogeyman in fact. But this Burroughs creation is nonetheless one of the all-time stand-out characters in modern literature. “Did I ever tell you ’bout the time I performed an apendectomy with a rusty sardine can… … …?” The following short scene says more about Benway than I ever could…

    … incidentally that line near the end is “some fucking drug-addict’s cut my cocaine with sani-flush!” The bizarre decision to cut the word “fucking” makes it a little difficult to make out.

  • Harry Haller: The protagonist of Hesse’s Steppenwolf, Harry Haller is a total outsider. Alienated from society, from almost all human contact, he sees clearly the absurdity of human existence. He is at once repelled by, and attracted to, a society he can never be part of. Haller is Nietzsche, he’s Hesse himself, he’s even — some have argued — Carl Jung (the “magic theatre” he discovers and explores being no more — or less — than his own psyche). Certainly for a period in my teens, Haller was me. Losing himself in the intoxication of alcohol and narcotics, and finally in his desire for Hermine, the beautiful dancer, he seeks salvation in oblivion. The ultimate existential hero. “The thought of suicide is a powerful solace”, writes Haller reproducing one of Nietzsche’s more famous aphorisms, “by means of it one gets through many a bad night”. Haller’s subsequent abortive suicide attempt is one of the funniest tragic scenes in fiction.

Hell, this could on forever and I’ve left out some true greats. It’s a decent start though, and I’m going to add a “Part 1” to the title of this entry in the possibility (though not the assurance) that I’ll continue it later.

Notable absences

  • Leopold Bloom: despite being the central character in the finest novel ever written (actually, I have some sympathy with the view that “Dublin” is the central character of the book, but all the same) Bloom wouldn’t feature as one of the great literary characters. Which is clearly deliberate on Joyce’s part. Bloom is a passive observer (almost always). A rather limp Everyman who, even when he provokes a reaction from the world around him, is generally doing so accidentally, and as a result of being misinterpreted or misunderstood. It is only at the very end, with Molly’s wonderful “Yes!” that he finally escapes his role as voyeur and fantasist. Bloom is not a Great Character, because Ulysses is about viewing the world through impotent eyes. Eyes that have no Greatness behind them until that very last scene.
  • Legolas (the elf): Tolkien was a master at creating an internal world for children (or adult fantasists) to disappear into. He wasn’t necessarily a great writer of characters. But Legolas deserves a mention, even if only in this second list, because I probably spent a good third of the time between my 9th and 11th birthdays being Legolas. Outwardly, I was a very quiet child. What was going on inside, though, was anything but.

6 comments  |  Posted in: Opinion


8
Aug 2008

With a few minutes to spare…

In honour of today’s date, 8-08-08, those of you who also spent the late 80s / early 90s dancing ’til you dropped whilst gurning like a loon in English fields, should be taken right back by this classic…

Ah, those were the days. Now. Anyone got any Veras?

In. Yer. Face!

EDIT: Actually, given what’s currently going on over in China, this would probably have been a more appropriate choice…

One for the chill-out tent, that.

Leave a comment  |  Posted in: Media » Audio, Opinion


8
Aug 2008

Well read?

It’s a blog meme. Another one.

This time though, it’s not about music but about literature. Specifically it’s about the books nominated by the BBC’s “Big Read” as being the 100 best in the English language. Actually, scanning the list, there’s a few translations on it (The Bible, Anna Karenina, One Hundred Years of Solitude, etc.) so I assume it’s “the best ever” rather than the best in the English language (though the small number of translations obviously reveal the Anglocentric nature of the list).

That said, the fact that there’s not a single book by Thomas Pynchon — who would have at least 3 in my top 10, let alone top 100 — suggests that whoever compiled the BBC’s list (possibly “the public”) don’t share my view of what makes good literature. In fact, the more I look at the list, the more I cringe at the utter dross to be found on it, and all the excellent writing not there. I suspect my response to this meme will be relatively controversial as I can count on the fingers of two hands the number of books written prior to 1920 (or thereabouts) that I consider worthwhile.

Anyways, the BBC apparently reckons that “the average adult” has only read 6 of the top 100 books. It kind of goes without saying then, that I’m a long way from “average”, though to be honest, I feel certain that the BBC is short-changing the public with that claim. Surely most people have read more than six from the list, even if only at school.

So yeah, via Phil at The Gaping Silence, on with the memery…

1) Look at the list and bold those you have read.
2) Italicize those you intend to read.
3) Underline the books you love.
4) Strike out the books you have no intention of ever reading, or hated.
5) Reprint this list in your own blog so we can try and track down these people who’ve only read 6 and force books upon them.

  1. Pride and Prejudice – Jane Austen
    Let’s kick off with a sound kicking. Jane Austen (like the Brontes, Thomas Hardy, William Shakespeare and Charles Dickens) is staggeringly over-rated. Criminally so. It still mystifies me how anyone can read this pre-modern toss and not find it contrived, stultifyingly-dull bullshit.
  2. The Lord of the Rings – JRR Tolkien
    Read this when I was a kid and it had a deep and lasting impact on me. Looking back on it, there’s flaws a-plenty, but it’s definitely some of the finest children’s literature ever written (even if that wasn’t JRR’s intention).
  3. Jane Eyre – Charlotte Bronte
    See #1
  4. The Harry Potter Series – JK Rowling
    I read a quarter of the first one and saw the film. Neither made me want to journey any further with Rowling. Ursula K. LeGuin did it so much better.
  5. To Kill a Mockingbird – Harper Lee
    A work of genius. My taste in literature tends towards the American. I blame a shop-lifted Bukowski when I was 11 years old for that. To Kill A Mockingbird was borrowed from the library soon afterwards, though.
  6. The Bible
    I’ve read it start-to-finish (skipping a few chapters of who-begat-who) twice. Both times it left me feeling confused and a little depressed. I mean, most of it isn’t even particularly well-written; how the hell did it cast such a dark shadow on the human heart?
  7. Wuthering Heights – Emily Bronte
    See #1
  8. Nineteen Eighty Four – George Orwell
    I suspect regular readers will already know my opinion of this book, and of Orwell’s writing in general (finest essayist in the English language). This is his crowning achievement as a novelist.
  9. His Dark Materials – Philip Pullman
    I’ve heard the rave reviews. But it just doesn’t appeal to me for some reason.
  10. Great Expectations – Charles Dickens
    Fucking Charles motherfucking Dickens! What a complete waste of paper. Yeah yeah, shining a light on Victorian society blah blah fricking blah. I read this at school and recall thinking very early on, “hang on a second, even back then nobody spoke like this”. It’s sanitised, soul-less writing that fails to evoke even a single emotion in me. Just as with Shakespeare; it’s British colonialism that has secured the worldwide reputation of Charles Dickens; nothing to do with innate talent. Nothing at all.
  11. Little Women – Louisa M Alcott
  12. Tess of the D’Urbervilles – Thomas Hardy
    Don’t need to read it. Hardy is shit. End of.
  13. Catch 22 – Joseph Heller
    This was so highly recommended that I recall being a little disappointed when I finally read it. Still a worthy thing. Not a patch on Vonnegut though, who did this kind of thing so much better, and is unsurprisingly not on this list.
  14. Complete Works of Shakespeare
    Oh come on! The complete works? That narrows it down to a few fools with more time than sense. I’ve read most of the famous ones, a couple of lesser-known ones and a handful of sonnets. None of them roused more than a yawn. Yeah, I know that puts me firmly in a tiny minority. But then, that’s where I’ve always been happiest. Shakespeare is a great writer, Oasis is a great band, Last of The Summer Wine is great television. Seriously, what the fuck does “the majority” know about great art?
  15. Rebecca – Daphne Du Maurier
  16. The Hobbit – JRR Tolkien
  17. Birdsong – Sebastian Faulks
  18. Catcher in the Rye – JD Salinger
    Always felt it was a wee bit over-rated to be honest. But again, like Catch-22, a worthwhile read all the same.
  19. The Time Traveller’s Wife – Audrey Niffenegger
    First one on the list I’ve never even heard of. Guess there were bound to be a couple…
  20. Middlemarch – George Eliot
    Read it at school. Rather wish I hadn’t.
  21. Gone With The Wind – Margaret Mitchell
  22. The Great Gatsby – F Scott Fitzgerald
    One of the few great examples of pre-modern literature. Though obviously, published in 1925, it’s actually in the modern era, this is not a post-Ulysses novel in anything but chronology. All the same, it rises above the dry, emotionless bullshit of pre-modern literature thanks to some wonderfully crafted characters. It’ll probably be the only novel of its type that I’ll end up underlining.
  23. Bleak House – Charles Dickens
    Don’t even get me started on this one. I read this as part of a book club I joined at university. I read it under duress (having made my feelings about Dickens well known) but decided I’d stick it out… after all, I wouldn’t like it if the others in the group refused to read my picks. I left the club soon after though… everyone but me claimed to get a lot out of Dickens. And hell, maybe they did. Maybe they weren’t just dazzled by the emperor’s presence. But clearly it wasn’t the book club for me. Thankfully I met my friend Justin soon afterwards, who was reading Gravity’s Rainbow at the time. A far better class of comrade.
  24. War and Peace – Leo Tolstoy
    To my shame, I’ve still not got round to it. Pre-Joycean Russian literature doesn’t seem to suffer from the same lifelessness as almost all of the English-language stuff (obviously there are exceptions to that, by the way). Or perhaps it’s just the fact that we’re only aware of the exceptionally good stuff over here beyond the translators?
  25. The Hitch Hiker’s Guide to the Galaxy – Douglas Adams
    A fine book. And the follow-ups were largely excellent too.
  26. Brideshead Revisited – Evelyn Waugh
  27. Crime and Punishment – Fyodor Dostoyevsky
    A fine novel, but if you’re new to Dostoyevsky, then you should really start with The Idiot, which didn’t make this list.
  28. Grapes of Wrath – John Steinbeck
  29. Alice in Wonderland – Lewis Carroll
  30. The Wind in the Willows – Kenneth Grahame
  31. Anna Karenina – Leo Tolstoy
  32. David Copperfield – Charles Dickens
    Complete wank.
  33. Chronicles of Narnia – CS Lewis
  34. Emma – Jane Austen
    I read this. See #1
  35. Persuasion – Jane Austen
    I didn’t read this. See #1
  36. The Lion, The Witch and The Wardrobe – CS Lewis
  37. The Kite Runner – Khaled Hosseini
  38. Captain Corelli’s Mandolin – Louis De Bernieres
  39. Memoirs of a Geisha – Arthur Golden
    Overwrought. Over-rated. Over-long.
  40. Winnie the Pooh – AA Milne
    A classic. A work of towering genius.
  41. Animal Farm – George Orwell
    This is a decent novel, but it doesn’t scale the heights of Nineteen Eighty-Four. Orwell was best as an essayist anyway.
  42. The Da Vinci Code – Dan Brown
    Frankly I’d rather eat my own flesh than read this airport-novel nonsense.
  43. One Hundred Years of Solitude – Gabriel Garcia Marquez
  44. A Prayer for Owen Meaney – John Irving
  45. The Woman in White – Wilkie Collins
  46. Anne of Green Gables – LM Montgomery
  47. Far From The Madding Crowd – Thomas Hardy
    Far From The Madding Crowd? Bollocks, more like.
  48. The Handmaid’s Tale – Margaret Atwood
  49. Lord of the Flies – William Golding
    I actually thought JG Ballard’s quasi-retelling of this story in Rushing To Paradise was ultimately better. Golding’s is a fine book though.
  50. Atonement – Ian McEwan
    Enduring Love was a good novel (shit film though. Really shit film). I’m not sure he’s really written anything half as good though. Certainly I thought Atonement was very weak; like so many on this list, frighteningly over-rated; and more concerned with making sure the reader spots the intricate allusions to literary “greats” than telling a story. A let down.
  51. Life of Pi – Yann Martel
  52. Dune – Frank Herbert
    I read all the Dune novels as a teenager. Yes, even the later ones when he was obviously milking a cash-cow. That said, God Emperor of Dune turned out to be the best in my view (in the sense of the most mind-bendingly far out, which is kind of what you want from your science-fiction)
  53. Cold Comfort Farm – Stella Gibbons
    Second one on the list I’ve not heard of. Am I missing out, I wonder?
  54. Sense and Sensibility – Jane Austen
    Just fuck off, will you. How much “I’m told this is great, so I’ll vote for it” shit is on this list anyway?
  55. A Suitable Boy – Vikram Seth
    Meh. Over-rated.
  56. The Shadow of the Wind – Carlos Ruiz Zafon
    I’m surprised this made the list as it’s pretty obscure (I think) as well as being rather good. It’s heavily influenced by Borges (of course) and kind of suffers by comparison in my eyes. All the same, well worth reading, both as a commentary on Franco’s Spain, and as a well-spun yarn.
  57. A Tale Of Two Cities – Charles Dickens
    Not read this one. Safe to say I never will. Fucking Dickens!
  58. Brave New World – Aldous Huxley
    One of my favourites. For the ideas, not the writing (which I grant you is a tad ropey at times). One of the few “must reads” in my opinion.
  59. The Curious Incident of the Dog in the Night-time – Mark Haddon
    Any good, this? I’ve heard all the praise, but am yet to be convinced.
  60. Love In The Time Of Cholera – Gabriel Garcia Marquez
  61. Of Mice and Men – John Steinbeck
  62. Lolita – Vladimir Nabokov
  63. The Secret History – Donna Tartt
    Third one I’ve not heard of.
  64. The Lovely Bones – Alice Sebold
    This one’s been recommended by a couple of people whose views I respect. And the synopsis certainly sounds intriguing. On the “will get to it eventually” list.
  65. Count of Monte Cristo – Alexandre Dumas
  66. On The Road – Jack Kerouac
    A classic. People call it over-rated, and then go back to reading Charles Fucking Dickens. They need a good slap, frankly. This is a hugely important novel, and a wonderful read. Another on the “must read” list.
  67. Jude the Obscure – Thomas Hardy
    It’s just bad writing. OK? Read some Pynchon ferchristsakes! Something with soul. Something with balls!
  68. Bridget Jones’s Diary – Helen Fielding
    There’s a bigger chance of me eating my body-weight in goldfish than of reading this novel.
  69. Midnight’s Children – Salman Rushdie
    Rushdie is another writer I find somewhat overwrought and over-rated. This is probably the best of the three of his books that I’ve read. Still quite dull though.
  70. Moby Dick – Herman Melville
  71. Oliver Twist – Charles Dickens
    When you look at the number of books on this list that I’ve read and hated, it’s a wonder I’ve not been put off literature for life. Because this is real, passionate, deep-seated hatred here not some casual dislike. I hate the way Dickens writes English. I hate every word that emerges from the mouths of his cardboard cut-out characters. And I find the social commentary trite and obvious to the point of absurdity.
  72. Dracula – Bram Stoker
    Meh. Good for its time. But that’s not saying much.
  73. The Secret Garden – Frances Hodgson Burnett
  74. Notes From A Small Island – Bill Bryson
    Bryson holds no interest for me whatsoever. I’m willing to be convinced on the matter, but frankly, I’ve never met anyone who felt strongly enough about his writing to bother trying. Which says all I need to know about it.
  75. Ulysses – James Joyce
    Let me start by saying that if I was compiling this list, Ulysses would be #1. It’s one of the very few books that deserves the incredible critical acclaim it has received. In my view, you can firmly locate the beginning of ‘the modern era’ with the publication of Ulysses. For better or worse. It’s one of the very very small number of novels that I’ve read more than once (three times so far, and I’m planning on a fourth next year) and one of the very very small number of things that makes me positively proud to be a human being. If aliens from SpaceLand arrive and threaten to obliterate us unless we can demonstrate our worth as a species, I’ll be there, clutching a copy of Ulysses, and insisting that a species that can produce this novel deserves to survive. People tell me it’s an impossible book to read. I just look at them as though they’re mad. For me, it’s an impossible book not to read.
  76. The Bell Jar – Sylvia Plath
  77. Swallows and Amazons – Arthur Ransome
  78. Germinal – Emile Zola
  79. Vanity Fair – William Makepeace Thackeray
    Meh. Over-rated but worth a read if you’re interested in 19th century England. I was when I read it. I’m not really anymore, but I’m glad I was when I was. Y’dig?
  80. Possession – AS Byatt
    It’s been recommended. Not sure I’ll get round to it any time soon, but it’s another for that “eventually” list.
  81. A Christmas Carol – Charles Dickens
    Never read it. Scrooged was a funny film back when I was seventeen, though. But that had more to do with Bill Murray than Charles Dickens I wager.
  82. Cloud Atlas – David Mitchell
  83. The Color Purple – Alice Walker
  84. The Remains of the Day – Kazuo Ishiguro
  85. Madame Bovary – Gustave Flaubert
    Supposed to be wonderful. I doubt it somehow, but it’s on the “eventually” list nonetheless.
  86. A Fine Balance – Rohinton Mistry
  87. Charlotte’s Web – EB White
  88. The Five People You Meet In Heaven – Mitch Albom
    I was given this as a gift just prior to a trip to the States. I never finished it, and wound up watching Mr. Bean re-runs on the plane instead. Which tells you a lot about the book. I find Mr. Bean very irritating.
  89. Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
    I’ve read them all. Every single one. At least twice. Holmes was a hero of mine (still is to an extent) and I could read those stories again and still get a huge amount from them.
  90. The Faraway Tree Collection – Enid Blyton
    I have fond memories of these books from when I was 7 or 8. Not sure how well Enid Blyton would stand up to an adult-reading, but heartily recommended for 7 year olds!
  91. Heart of Darkness – Joseph Conrad
  92. The Little Prince – Antoine De Saint-Exupery
  93. The Wasp Factory – Iain Banks
    Not as good as some of his subsequent novels (The Crow Road still being my personal favourite and one that would be underlined were it on this list), but a classic all the same. Filled with disturbing imagery though.
  94. Watership Down – Richard Adams
    Neither the novel nor the film ever really grabbed me the way they grabbed lots of people I know. Not a complete waste of time though.
  95. A Confederacy of Dunces – John Kennedy Toole
  96. A Town Like Alice – Nevil Shute
  97. The Three Musketeers – Alexandre Dumas
  98. Hamlet – William Shakespeare
    Not content with having this on the list once (as part of the complete works) the BBC have insisted on putting it in twice. And sadly, Shakespeare’s no better a writer second-time round. Dumb nonsense filled with unlikeable characters, plot holes and incomprehensible dialogue. Fuck off Mr. Shakespeare and take your rhyming couplets with you, you big arse.
  99. Charlie and the Chocolate Factory – Roald Dahl
    Not a patch on Danny The Champion of The World. But a good kids book nevertheless.
  100. Les Miserables – Victor Hugo

So yeah, 64/100 and some controversial statements, no doubt. But what else is a blog good for, eh?

To wrap up, let me add a short list of books that would have made the top 100 if it had been compiled by someone concerned with good writing rather than tradition. No particular order, by the way, and consider them all ‘underlined’.

  • Vineland – Thomas Pynchon
    Considered the least of his novels, I think Vineland is damn-near perfect. Gloriously absurd and vitally important all at once. I would also, genuinely, add every single other novel he’s written to the top 100 list. There’s only seven of them, so if you take out Dickens, Austen, Hardy and Shakespeare you’ll have plenty of room for them.
  • Vermillion Sands – JG Ballard
    One of his lesser known books, Vermillion Sands is actually a collection of 5 or 6 short-stories set in the same town. It’s my favourite of his books, but isn’t the only one that merits mention. Rushing To Paradise, The Day of Creation, Concrete Island, Cocaine Nights and all of his short-story collections are highly recommended.
  • Timequake – Kurt Vonnegut
    Like with Pynchon’s Vineland, I seem — even with those authors I love dearly — to gravitate towards the less critically-acclaimed novels. Timequake is a bleak, depressing and very funny book and is probably my favourite Vonnegut novel. Others I loved… Slaughterhouse-Five, The Sirens of Titan, The Breakfast of Champions, Player Piano and Slapstick (or, Lonesome No More).
  • Collected Essays – George Orwell
    Utterly essential. There’s more wisdom and insight contained in the essays of Orwell than can be found in the combined literature of the preceeding 6 centuries.
  • Dubliners – James Joyce
    It’s not Ulysses. But then, other than Ulysses, what is?
  • Huckleberry Finn / Tom Sawyer – Mark Twain
    Only read these quite recently, oddly enough, and they are far far better than any pre-20th century writing has a right to be.
  • Nova Express – William S. Burroughs
    And you can add pretty much his entire output to the list. To me, Nova Express is the absolute zenith of the cut-up technique. It manages to deconstruct not only language, but the very thought-processes of the reader, while simultaneously telling a story. It’s the novel that The Ticket That Exploded was trying to be, but just fell short of.
  • Tales of Ordinary Madness – Charles Bukowski
    The collection of stories that made me decide to become a writer (after The Lord of The Rings had sown the initial seed). It was the first time I’d read a book that felt genuine and real to me. It’s dark and unpleasant at times, and entirely inappropriate for an 11-year-old. But if anyone wants to trace the major influences on my own strange writing style, then pick up a copy of this book and all will be revealed.
  • Stone Junction – Jim Dodge
    It takes balls to walk in Pynchon’s footsteps. Jim Dodge has them. And isn’t doing too bad a job of it.
  • Steppenwolf – Hermann Hesse
    A huge novel for me in my teens. Helped me realise I wasn’t just mad, and that other people had thought the same things as me. Which was comforting if nothing else.
  • Flow My Tears, The Policeman Said – Philip K. Dick
    Not the greatest writer in the world (technically speaking) but a man with more great ideas than almost anyone else. His short-stories tend to be better than his novels (in my view). No doubt there’ll be those who point to his final three novels as being The Great Ones, and they are indeed Great, but this is the one that had the greatest impact on me when I first read it and the one that has lingered most prominently in my memory.
  • Pattern Recognition – William Gibson
    Although I’m a big fan of his early cyberpunk stuff (I loved his cameo in Wild Palms… “Hi, I’d like you to meet William Gibson, he’s the man who coined the term cyberspace, you know?” Gibson (under his breath); “yeah, and they won’t let me forget it!”) I feel he’s really started to come into his own as a writer more recently. Like Jim Dodge, his later stuff is — dare I say it — “Pynchonesque”.

And there’s plenty more of course. Those are ‘top of the head’ suggestions. My fiction is in another room, so I’m probably missing out someone utterly vital. Looking at the bookshelf in this room, however, I’d suggest that the complete works of Freud (all 24 volumes) should be on the list, as should The Politics of Ecstasy by Timothy Leary, Robert Anton Wilson’s Quantum Psychology, Einstein’s Ideas and Opinions as well as Relativity, Colin Tudge’s So Shall We Reap, Carl Jung’s Memories, Dreams, Reflections, the collected works of Nietzsche, Lacan’s Écrits (still not read most of it, but I recognise its worth) and — it goes without saying I’m sure — Gregory Bateson’s Steps To an Ecology of Mind.

39 comments  |  Posted in: Blog meme


6
Aug 2008

Nuclear Reaction

Busy busy busy. All the same, I do have a few minutes spare with which to plug Nuclear Reaction. This Greenpeace blog is run by Justin of Chicken Yoghurt fame, which means that as well as exposing the lies, insanity and sheer stupidity that characterise the pro-nuke lobby, it will also be rather well-written.

Check it out.

Leave a comment  |  Posted in: Announcements


25
Jul 2008

The Tragedy of The Tragedy of The Commons 1.1

Hi. Look I know I said a few weeks back that I’d get round to answering Tim Worstall’s questions / objections in the comments to ‘The Tragedy of The Tragedy of The Commons‘. Having just spent a few hours ranting about Facebook, one might (with some legitimacy) exclaim, “Well if he’s got time to do that, where’s our fecking response then? Eh?”

You might then go on to suggest, a little more quietly but still audible to anyone in the same room, that “it’s ‘cos he doesn’t have a response”.

Which wouldn’t be the case, I assure you. It’s simply the fact that as I began to write the response, I realised that I was rehashing my thesis with slightly more bizarre imagery and a good deal more swearing. Thing is, I don’t actually want to be doing that right now for a whole bunch of reasons. So I’m going to have to delay my response a little longer.

Sorry. But there you have it.

4 comments  |  Posted in: Opinion


25
Jul 2008

Paranoid facebook crazy talk

Over on a web forum I visit occasionally, we’ve been discussing the ‘Facebook’ website / social engineering experiment. And I think I may have gotten a bit ranty to be honest. Given that this is a more appropriate forum for such rantiness, I figured I’d reproduce my “summary position” here.

Even without following those discussions, it’ll come as no surprise to you that I’m firmly in the anti-Facebook camp. And when I say “firmly”, I mean in the sense that they’re having to build me a special camp in the next field… even further from the pro-Facebook camp than the regular anti-Facebook camp.

A couple of days ago, Facebook’s CEO, Mark Zuckerberg, made a speech about the company’s plans for the future. It contains an interesting statement. And by “interesting”, I mean “fucking terrifying”.

But before I get onto that, let me recap the main pre-existing arguments for never visiting the facebook site ever again.

They fall into three broad categories.

Firstly, the question of what happens to your information once it gets uploaded to Facebook is a very murky one. They certainly never explicitly claim copyright or ownership of your information, but they do claim all manner of usage rights that amount to almost the same thing in practice, even if not by legal definition. Within this same point is the fact that Facebook made it impossible to delete your account up until recently (when bad publicity forced them to change policy). They still make it difficult (you can’t delete your info, you ask them by email to do it for you) and — vitally — given that they are not obliged to notify you when they sell your data to a third party, you have no idea whether or not it’s already been flogged to UltraMegaCorp by the time they get round to deleting it.

And in practice, it almost certainly already has. Because Facebook have an ongoing relationship with numerous corporations to provide them with user data on a regular basis. These include Coca-Cola, Blockbuster, Verizon, Sony Pictures and Condé Nast. Amongst others.

Secondly, the political and philosophical problems posed by any large centralised database are, at the very least, worthy of cautious consideration. A consideration that few have given it. Mostly because it’s “voluntary”, not because people are unable to consider these things. When the government propose it and talk about it being mandatory, then people rightfully question the decision.

Thing is, the same problems that exist with a mandatory database also exist with a voluntary one if everyone volunteers.

These kinds of databases are an absolute nightmare from a social justice and civil-liberties standpoint. They encourage an uncomfortable power/control relationship between those who control the data and those who provide it. While on the one hand, the data will allow the database owner to track and identify broad trends within the data-set, it will also allow them to identify mechanisms to manipulate those trends, and the interactive nature of the Facebook website may even provide the mechanisms by which such controls are put in place.

“Is control controlled by it’s need to control?” as Burroughs perceptively asked. And yes, it is. But control still tends to come out better in its relationships with those it controls.

If you get me.

And this is problematic even if control is benign. Even if the guy at the top is Jimmy Stewart in Mr. Smith Goes To Washington. Even if he’s in charge, the risks of him screwing things up are just too great.

Which brings me onto Number 3. It’s very much linked to the second argument, but deserves a bold intro of its own.

Thirdly, it’s not James Stewart running this thing. It’s the fucking CIA!

And no. That’s not a kooky conspiracy theory. Check it out for yourself. There’s been articles written on the subject in the mainstream media, and Facebook haven’t argued with any of them to the best of my knowledge (which I feel certain they would do if they were nonsense). One of the big finance guys behind Facebook is a board member for In-Q-Tel.

In the words of Tom Hodgkinson’s Guardian article

In-Q-Tel? Well, believe it or not (and check out their website), this is the venture-capital wing of the CIA.

I’d rather not link directly to their website, by the way. Yes I am that paranoid. The strapline for In-Q-Tel dot com?

In-Q-Tel identifies, adapts and delivers innovative technology solutions to support the missions of the Central Intelligence Agency and the broader U.S. intelligence community.

Ohhhhhhkaaaaaay. I mean honestly. If you’re not going to be paranoid about those people, who are you going to be paranoid about? Eh?

Think about that for a second. I’m not saying that Facebook is the CIA, by the way. Merely that they are part-funded by a guy who kind of works for the CIA. So I think you’ll agree, despite their claims to the contrary, the idea that the CIA don’t have open access to this data, and aren’t analysing it for some reason is, oddly enough, the far-fetched one in this particular instance.

Weird, huh?

I have this image of the CIA opening up a website and asking people to volunteer as much personal information as possible. And of people signing up in their droves. 90 million people at last count. And I say to myself, “don’t be silly Jim, that image is too far-fetched. Even Philip K. Dick would have rejected it as too implausible for a short story”.

People, willingly donating a ton of data (that’s imperial, not metric by the way, we’re talking a lot of data) about themselves to the C.I. fricking A. For them to make shitloads of money with by selling it to Coca fricking Cola. Money to fund Eris-knowns-what, but I doubt it’s cat fricking sanctuaries. I mean these people will be classified as a terrorist organisation by future historians! Don’t be willingly surrendering your life history, personal philosophy, favourite books, music, films to them. Don’t tell them who your friends are, and where you like to hang out and what medication you’re on and what mood you’re in. Don’t open yourself up to these people! And don’t be filling in their silly little tests.

– What answer did you choose for question 6? “C” huh? Y’know only 8% of respondents chose “C”? Funny that… …

What do you mean: “funny that… …”?

– “Ohhhh… Nothing.”

Because they ain’t just making money off your data, they’re giving it to the folks downstairs in psy-ops. And they’ve been cooking up some deeply strange stuff to do with it.

And look, when I say “these people”, they’re probably nice enough, y’know? Treat their friends and family well, and give to charity regularly. But they’re on the wrong mission. And that’s what’s important here.

It’s hardly a coincidence, therefore, that Peter Thiel (the power behind the throne at Facebook) should be a self-described neoconservative activist who espouses a philosophy that can be accurately summarised as

… trying to destroy the real world, which he also calls “nature”, and install a virtual world in its place.

No. No. No! You don’t want to be helping people like him (a) get richer, or (b) do anything at all that he wants to do.

Right? When the nutter down the road starts ranting about destroying the real world and creating a new one that he controls… you feel a bit sad for him and hope he’s feeling better soon. When a billionaire with CIA connections starts expressing those thoughts out loud… you hope you’ll not be the only one at the barricades come the day.

Anyways, that’s my Facebook rant. Sorry it went on so long, but it’s always good to get that kind of thing off your chest.

(and to those who say, ‘But I don’t give my real details’, I would suggest that doesn’t actually invalidate most of the above… even assuming they ain’t logging your IP address. Which, let’s face it, they probably are. If the people behind Facebook asked you to help them out with this social engineering experiment they’re running, would you really want to take part even under condition of anonymity? Really?)

Anyways, the recent development that sparked this little outburst is the news that the CEO of Facebook (the chap on the throne, situated in front of Peter Thiel) gave a recent speech in which he outlined the next steps for the company. It included the line

I really want to see us build a product that allows you to really feel a person and understand what’s really going on with them and feel present with them

Is it just me that doesn’t want those people to have that kind of product?


UPDATE 3:30pm: As pointed out in the comments below, and upon re-reading The Guardian article, it does seem like I may have misinterpreted the financing of Facebook. Although a director of In-Q-Tel is a major advisor to Facebook, there’s no evidence provided that Facebook is actively funded by them. So it may well be that they are not benefitting financially from the company. I stress “may”, because I still feel that many of the connections between the US intelligence community and Facebook will be — almost by definition — clandestine. The CIA, like all national secret services, is not an organisation known for conducting its business in public. Even if they are not direct investors in the corporation, I believe they will still benefit financially, as well as in other ways, from having access to the information provided by Facebook users. Thanks to Michael, in the comments, for highlighting the potential inaccuracy.

I’ve already linked to it above. But I want to make it clear that while I’ve read a few things on this, most of the research was done for me by Tom Hodgkinson of The Guardian earlier this year. His article is the real eye-opener. This is a pointer towards it as much as it is anything else.

10 comments  |  Posted in: Opinion