tag: The Media



7
May 2010

All over bar the shooting

As I write, there are still 9 seats to be declared in the UK elections. The initial exit polls appear to have been roughly correct, but pretty much all previous polls over the past three weeks, as well as all the reflected media coverage appear to have been spectacularly wrong. I picture a good week of media self-analysis… in the media, of course… once the actual political outcome has been settled. How did we get it so wrong? they’ll ask themselves. And sell you their answers at 30p a copy. Or beam it into your home for the price of the licence fee — or more expensive still — a commercial advertisement.

And the thing they got so wrong, of course, was the insistence that it was a three horse race. It wasn’t. It’s not quite over yet, but one thing is very clear, Nick Clegg did not drag his party above the rank of also-ran. He may yet hold the balance of power, but it’ll be by default rather than because they genuinely increased their stature. Even their share of the popular vote has only risen by 1%. Admittedly that was from a pretty decent starting-point in terms of their recent history, but it’s hardly the line the public were being fed from the media. They’re actually down 5 seats at time of writing.

During last night’s election coverage, the likeable Prof Brian Cox showed up on Channel 4 and told the gathered electorate, gazing at our glowing rectangles, that they were “stupid”. We all sat there and laughed, and insisted it was “those other people” he was talking about, not us specifically. Yes indeed. Though let’s face it. If you’re one of the ten and a half million people who voted Tory, then you’re definitely one of the people he’s talking about.

Of course, he was actually being more general than that. Prof Cox was making a point about our collective decision-making and how it seems to have ended up firmly dedicated to self-destruction. Our seemingly cruel lack of self-awareness as a culture and our ten thousand year war against nature… externalising our collective schizophrenia into the wider ecology of mind. OK, so he didn’t use those exact words. I was translating into Batesonian.

Anyhoo, that proved to be the highlight of the election coverage… Prof Cox calling us all stupid.

But enough about the coverage, what about the outcome?

Well, that’s the thing… even with just 9 seats left to declare, we don’t know it yet. It appears that the media may have got that much right — the possibility of a hung parliament / minority government is a very real one. The Tories are going to end up the largest party, but far enough away from an overall majority to make things complicated. Oh, and just what the Welsh were thinking by making it easier on them, I’ll never know.

But of course, the real reason the Tories aren’t as far from an overall majority as was being predicted isn’t the appearance of more spots of blue on the map of Wales. Rather, it’s the failure of the Lib Dem swing to show up on cue. They were supposed to grab a bunch of seats from the Tories. But they didn’t. In fact they actually lost ground to the Tories overall. The opportunity to unseat Oliver Letwin in a real Lib Dem / Tory marginal was squandered. For that, the Lib Dems should publicly apologise. As should the people of Dorset West.

Meanwhile Labour also held their ground against the Lib Dems overall and didn’t lose as many seats to the Tories in the north as was being predicted. Certainly they’ve retained enough to allow Gordon Brown first shot at forming a government, constitutionally speaking. Though whether that’ll happen is anyone’s guess, with the Tories moving to declare victory even though lots of people are saying they have no legal right whatsoever to do so.

That kind of magical thinking can be very effective though. Ten and a half million tory voters all believing in a Conservative victory at the same time is the kind of thing that can manifest such a victory in reality. Especially when you have the Murdoch Press acting as a Great Unholy Sigil. The fact that far more people voted against the Tories than voted for them isn’t necessarily relevant either. If a sense of doubt creeps into them, as it surely must be doing if you’re a Lib Dem after the past three weeks of ecstatic preparation; and perhaps is also happening with many Labour voters who will view the loss of 90 seats and the body language of so many Labour MPs as signalling defeat.

So a minority Conservative government using the Ulster Unionists as additional muscle? The worst of all possible worlds? There’s a part of me that’s sadly unsurprised.

Alternatively we could technically see a rainbow coalition with a Lib-Lab pact recruiting the Scottish and Welsh nationalists, the SDLP and the incoming Green MP as a broad left coalition. Labour can promise the Lib Dems electoral reform in return for their support, but I’m not sure they’d be willing to offer the others what they’d demand.

Which reminds me… congratulations to Caroline Lucas, leader of the Green Party and new MP for Brighton Pavilion. I wish her well; it’ll be good to have a Green voice in parliament even if it’s likely to get drowned out most of the time.

Meanwhile there’s also the other possibility of Clegg bringing the Lib Dems into government with the Tories. The fact that this is even being discussed seriously by the Lib Dems is clear evidence that they are the deluded free-market capitalists that I suggested they might be. All the same, if they wrestle electoral reform out of the Tories in return for their support, they’ll still have been worth your vote. Possibly.

With 9 seats left to declare, the Tories have passed the 300 mark, but only just (302). Labour are on 256 with the Lib Dems at 56. So a Lib-Lab pact would bring them to 312 and clear of the Tories, though short of a majority. And even though Cameron will be trying to cast his “I have moral authority” spell upon the land, a look at the popular vote is revealing. Certainly it demonstrates the kind of distortions wrought by a First Past The Post electoral system.

With 23% of the overall vote, the Lib Dems won less than 9% of the seats (they should have about 148 seats if each vote was treated equally and proportionally). The Tories, on the other hand would drop about 70 seats, if representation was roughly proportional to the votes cast. You can see why they oppose electoral reform.

And even though Labour would also drop roughly the same number of seats, you can see why they wouldn’t be quite as unwilling to consider some kind of electoral reform… it’d be Labour that the Lib Dems would be more likely to deal with if both offered a working majority. And under PR, a Lib-Lab pact would have a clear majority (though not a massive one), while the Tories would have far less claim to ‘moral authority’ with not nearly enough MPs to form a stable minority government.

There’s still plenty of twists and turns to come. But my suspicion is that we’ll see David Cameron in 10 Downing Street by the end of the weeked. I was going to say “it’ll be funny to see how he deals with the economic crisis, resource depletion and climate change”. Except it won’t be funny. It’ll be fucking tragic.

3 comments  |  Posted in: Opinion


12
Apr 2010

Drunk History

A few days ago, Gyrus emailed me a link to “Drunk History: Nikola Tesla” on YouTube. It’s very funny indeed, and happily, is part of a fairly long-running series. I’ve watched a couple more since then and both were of a similarly high quality. Check them out if you get a chance.

Drunk History: Nikola Tesla

And my personal favourite (if only for the hicupping)…

Drunk History: Oney Judge

Leave a comment  |  Posted in: Media » Video


7
Apr 2010

Glad To Be Gay

I received this email from Merrick a little earlier. I reproduce it here without further comment. Well, except to say, check out the site. It’s bloody great.

I just made the internet get bigger!

In 1978 Tom Robinson released Glad To Be Gay. It was the first time anyone apart from a handful of gay activists had ever heard a gay protest song, let alone one so bitter and furious. Robinson managed to get it into the Top 20 despite radio stations refusing to play it.

He’s updated the lyrics many times over the years as new issues have come to the fore and old references became obsolete.

I’ve done a website tracking all the versions, with references explained, MP3s, a big interview with Tom and more.

It’s not only musical and creative history, but social and political history too, a lesson in how different attitudes were so recently and how many people suffered despite harming no-one.

Check it out if you get chance: http://gladtobegay.net/

Merrick

Leave a comment  |  Posted in: Announcements


7
Apr 2010

A reluctant twit

I can’t say as I’m a great fan of twitter. Part of that is my reflexive tendency to rebel against overhyped social media. Admittedly twitter isn’t the source of all evil in the world, like Facebook is, but the thought of millions of people around the world checking to see what Stephen Fry ate for breakfast this morning just makes me despair. The modern cult of celebrity irritates me profoundly and twitter has gotten itself all tied up in it.

Like text-messaging, certainly I can see the utility of the thing. Although (naturally) the number of pointless and inappropriate tweets appear to outnumber useful ones by a factor of several trillion. Twitter seems to encourage people to broadcast the minutiae of their lives to all and sundry… as though Facebook Status Updates had escaped from their rightful home and set up camp at another domain. I’ve also noticed an increasing trend of people attempting to have serious discussions via twitter. The ramifications of Sudanese partitioning simply can’t be debated in 140 characters or less. And doing so runs the risk of trivialising important issues.

Follow me on Twitter

That said, I’ve finally succumbed to the thing and become a reluctant twit. The lovely and wise Citizen S insists that it might help me widen the readership of this blog. I’m not at all sure that I really want to widen the readership of this blog, but if Citizen S says that “more people should be reading what you write about sustainability” then I shan’t argue. Whether or not twitter will help in that respect is yet to be discovered.

Anyhoo, if you fancy becoming one of my small band of disciples followers, then just click on that little button there and twitter will handle the rest.

God help us all.

UPDATE: Incidentally, what’s the etiquette with regards to “following”? If I start to follow someone’s twitter feed and discover it’s full of “my cat just did a big poo” type tweets, will my decision to stop following them be the equivalent of telling them to fuck off?

7 comments  |  Posted in: Announcements


25
Mar 2010

Four Lions trailer

Still no news on an Irish release date, but the first feature film from ground-breaking broadcaster Chris Morris is poised to hit British cinemas very soon.

Leave a comment  |  Posted in: Media » Video


6
Mar 2010

Avatar 3D

I went into this film with fairly low expectations. I’ve nothing against Hollywood blockbusters and feel no shame about admitting that Michael Ironside intoning “They sucked his brains out!” in Starship Troopers remains one of my favourite cinematic moments of all time. My tastes are quite eclectic; Japanese auteur Takeshi Kitano is probably my favourite film-maker (in fact, I watched the glorious Hana-bi again recently. It really is one of the greatest films ever made… dreamlike, moving, violent, funny, hypnotic and as far from a Hollywood blockbuster as you’re likely to get), yet I’ve happily grinned my way through all four Die Hard movies.

Avatar

Even so, I was quite sceptical about the latest James Cameron spectacular. I’d read some scathing reviews and pretty much convinced myself that the 3D technology wasn’t going to be effective.

That said, I wasn’t going to miss it either. Even the most negative review grudgingly admitted Avatar is visually spectacular. How could it not be, given the absurd amount of money spent ensuring it would be? Throw enough money at a cinema screen and some of it will stick. Plus, there was always a chance that the silly glasses would really work. So if I was going to see it at all, then it probably had to be on a big screen. It’s like being at a U2 concert or watching the space shuttle blast off… whatever you may feel about the content of the experience, if you’re close enough then the way it engages the senses is incredible. Our small monkey brains can’t help but be awed by the sheer scale of what’s happening.

And “awe” is not too hyperbolic a word to be bandying about when it comes to Avatar. The film didn’t just exceed my expectations, it blew them into a billion tiny glowing bits and sent them floating around me like a swarm of fireflies. The 3D effect was far better than I’d expected. It was genuinely magical at times. I’d never been to a 3D film before, but it’s safe to say I’m an instant convert. Thankfully it involved a good deal less “gratuitous objects flying towards your head” than I thought it would. In a movie low on subtlety, the use of 3D was immersive without being over-the-top. Credit to James Cameron for his restraint there, even if nowhere else.

Clearly he knew the visuals were breath-taking enough to generate plenty of “whoa!” moments all by themselves. The clever use of the 3D technology just draws the viewer that little bit further into the experience. So when one of the primary locations in the story is a tree that would dwarf the Burj Dubai, adding a convincing depth of field is more than enough to start the brain reeling. Forcing the viewer to duck as projectiles shot towards them every thirty seconds would merely serve to distract from the splendour.

Which isn’t to say that there’s none of that more obvious use of 3D. The plot of the film involves human colonists (in the form of a dastardly mining corporation backed by gung-ho space marines) trying to relocate, and eventually annihilate, the Na’vi (the indigenous culture on the ecologically pristine planet Pandora). The blue-skinned Na’vi fight with spears and bows-and-arrows. This, of course, allows the spectacular battle sequences to contain the requisite amount of “objects flying at your head” action.

In the reviews I’ve read, the primary criticisms of Avatar centre around the plot and the dialogue. With regards to the plot though, there’s a part of me that disagrees. Yes it’s simple. But, fantastical setting aside, it’s telling an archetypical tale that echoes back into history and is alive and well on our planet today. The destructive exploitation of our ecology at the expense of indigenous cultures — and ultimately ourselves — is not a tale that can be told too often. Nor too loudly. Especially now.

Having said that, I’m well aware that there’s an argument which says that particular story can’t be told in a Hollywood blockbuster. That the medium is the message. An argument convincingly put forward by Citizen S, with whom I went to see Avatar. She found the film entertaining and the 3D very impressive despite not being a fan of the Big Guns & Shiny Metal genre. But she looked upon me with something akin to pity when I started to praise “the message” of the film.

Avatar Big Mac meal

The Big Mac Avatar Meal: Not a parody

The essentially commercial nature of the enterprise undercuts and invalidates any anti-commercial message it tries to send. The calculated manipulative techniques used by the medium to generate the maximum audience, and then the businesses that have grown up to part that audience from their cash — from popcorn to action figures to… well, just think about that pictured tie-in, to the right, for a few seconds… these things are themselves precisely the kind of colonialism the film claims to decry. When the soundtrack swells with those “strings in minor key”, tugging your heart down proscribed pathways, and then shifts abruptly to major chords when the hero strides towards his destiny, you are being trained in a very specific way of looking at the world. And you’re being encouraged to have a hamburger and Coke while you do so. You just can’t dress up an anti-colonialist story about ecological sustainability in half a billion dollar’s worth of industrial light and magic part-sponsored by the McDonald’s Corporation.

I think that was the gist of her argument.

Certainly it began with: “it’s a Hollywood action film. Get a grip.”

And you know, despite the sensory delight and sheen of subversion, there’s certainly something to that.

Although I think perhaps it goes even deeper than that. When what is already the most successful film in history, turns out to be a thinly veiled attack on the very system that allows it to exist, it’s yet more evidence of our deep cultural crisis. Our collective schizophrenia.

Wouldn’t it be mind boggling to encounter a previously unknown Amazonian culture and discover that their most popular story-tellers regularly portrayed the tribe as cynical hypocrites filled with avarice and malice, always in the wrong? And yet the past few decades have been littered with fiction of precisely that nature. Whether it’s Dances With Wolves (of which Avatar is essentially a remake with an upbeat ending) or Cameron’s own Aliens (“You don’t see them fucking each other over for a goddamn percentage”) or the plethora of “apocalypse as thrilling entertainment” flicks. Besides our own, is there a single culture we’ve ever known, whose great stories and myths regularly portray themselves as the bad guys?

Whether or not we can take heart in the positive aspects of Avatar’s plot, it is clearly part of a body of work that suggests we are a culture in the grip of a nervous breakdown.

And how much hope can we take in the fact, that while the most popular film in history is not telling a story that celebrates unsustainability, its very existence does?

So to speak.

3 comments  |  Posted in: Reviews » Film reviews


23
Jan 2010

Chris Morris, film director

It’s a nailed-on certainty that the Daily Mail is going to have an outrage-athon when it’s released (the premiere is tonight at The Sundance Festival). But if the first feature film from Chris Morris (Day Today, Blue Jam, Brass Eye, etc.) is half as funny as this clip implies, then it’s also a nailed-on certainty that it’ll be worth seeing. Four Lions is being described as “jihadist comedy”.

4 comments  |  Posted in: Media » Video


17
Jan 2010

Top TV

The Guardian has recently published a list of the 50 Greatest Television Dramas of all time. As I’ve written before, I don’t watch an awful lot of TV because almost all TV is awful. But I am a sucker for a well-written series containing genuine character development and unexpected plot lines. They only appear very occasionally, but when they do they can hold their own against a good novel or film.

The Guardian’s list contains a fair few shows that I’ve never seen and plenty that I have seen and don’t rate. For instance, the over-hyped Mad Men (No. 4 on their list) I found dull as dishwater and never made it past the third episode. Shows such as Prime Suspect (#19) and Inspector Morse (#30) seem flat, lifeless and formulaic to me. Especially if you’ve got something like The Wire (#14) on the list which demonstrates that you can make a show about the police without it being a hymn to law and order; a hagiography of The Cop… see, for example, Hill Street Blues (#33) or — in the words of Hakim Bey — the “most evil TV show ever”.

I was glad to see that Buffy The Vampire Slayer (#22) made the list, even if it’s a lot further down that I think it deserves to be. I noticed there was some controversy about that in the comments that followed the article (though you can stir up a hornets nest of dissent over at The Guardian by suggesting that the sky might be blue and rain a bit wet). I firmly believe that those who decry Buffy have either (a) never watched it beyond flicking into it for five minutes as they channel surf between Celebrity Big Brother and How Clean Is My House; or (b) been unable or unwilling to see beyond the 90210 with Monsters facade that covers this incredible piece of work.

There’s no way I could make a top 50 TV shows list as I don’t think there’s half that number that I’d consider even watchable, let alone worthy of recommendation. But as a brief response to The Guardian, here’s my Top 15 (I thought I’d only be able to produce a Top 10 and was surprised that there were as many as 13 that I consider genuinely worth recommending… the last two made it in as much to make up the numbers as anything else; fine shows but not essential).

  1. Buffy The Vampire Slayer (including Angel, the spin-off)
  2. The Wire
  3. Breaking Bad
  4. Twin Peaks
  5. Six Feet Under
  6. Firefly
  7. Carnivale
  8. Dexter
  9. Dollhouse
  10. Millennium
  11. Veronica Mars
  12. The X-Files
  13. Battlestar Galactica
  14. The West Wing
  15. Lie to me

5 comments  |  Posted in: Reviews » TV reviews


11
Jan 2010

Electing The CamBot

It's time for change... time to elect a scary robot bloke

Official second draft of the new Tory campaign poster

Make your own poster here (via Chicken Yoghurt).

Leave a comment  |  Posted in: Opinion


11
Jan 2010

The campaign’s started…

All hail our new alien overlords!

Official first draft of the new Tory campaign poster

Make your own poster here (via Chicken Yoghurt).

1 comment  |  Posted in: Opinion