tag: Music



31
May 2009

Some Bowie for the weekend

OK, so the weekend is half done, but it’s a bank holiday over here, so I have an excuse. Anyhoo, I’m still going to post this for your delight and delectation. It’s a Bowie video. A 1997 live performance of ‘The Man Who Sold The World’, reworked radically in a drum-n-bass meets discordant guitar stylee.

The Man Who Sold The World. Live, 1997.

I was listening to some Bowie earlier today. I had him on random play, and at one point African Night Flight found itself shuffled up next to We Prick You. The former is the gloriously weird second track from 1979’s Lodger (it’s one of his best vocal performances, which — given that it’s Bowie we’re talking about — is really saying something). The latter from 1995’s 1.Outside.

It was seamless. And I thought to myself how incredibly fortunate it is that Bowie, against all the odds, got a second wind. As a glance at this Last.fm page will show, I listen to far more of David Bowie’s music than anyone else’s. Even if you add on David Byrne’s solo stuff, Talking Heads are quite a distant second. And while Last.fm only lists the stuff I play here on my PC, I’d wager that my mp3 player has an even bigger Bowie-bias.

Sadly though, by the time I discovered Bowie (the mid-80s) he appeared to have passed his peak. Having single-handedly invented half of the sounds being made during the 1980s, he decided to take a mountain of cocaine and rest on his not inconsiderable laurels. The man fell to earth. The singles were still great (Let’s Dance, Loving The Alien, China Girl, This Is Not America, and so on). He hadn’t lost his touch for writing a great song. And that voice… well, so long as he still had that, everyone desperately wanted him to keep making great records. All of which made the sad mediocrity of the albums so much more difficult to take.

And there the story should have ended. Nic Roeg got it right.

Except he didn’t, did he? Bowie should have got fat and complacent. But instead he got creative again. And started doing unexpected things. And despite having spent the eighties lambasting him for his predictability, the music press hated him for it. How dare he not be written-off when they said he was. First came Tin Machine and The Buddha of Suburbia soundtrack. Both of which deserve some serious reappraisal, incidentally. Then Black Tie, White Noise which is no Lodger, but it is an album by someone who gives a shit again. What the hell was he up to?

None of these, though, could prepare anyone for what happened next. He only called up his old mate Eno, and went and made an album that’s just as good as anything he did in the 70s. OK… not just as good, but a truly worthy heir. Which, technically, shouldn’t have been possible. When 1.Outside came out, I felt like he’d realised that there was a whole bunch of us who’d simply been too young first time round. Listen to that album with open ears. Play it loud, give it your full attention and it opens out into something dark and thrilling and genuinely wonderful. It’s not quite Low, but it sits comfortably beside it… wrapping itself around that same corner of your soul that’s never been the same since Warszawa.

Seriously, if — like most people who appreciate genuinely good popular musics — you think Low is an extraordinary album, then do yourself a favour and play A Small Plot of Land (track 4 off 1.Outside). It’s coming from the very same source. Albeit with rather more control and self-referentiality. But I think we can forgive David Bowie the occasional knowing smile.

Most people couldn’t have returned from The Serious Moonlight Tour. But Bowie wandered far further into the wilderness than even that. He went all the way to The Glass Spider and still found his way back. Nobody else could have done that. But, of course, Bowie is the coolest man on the planet (what with being from space, or another dimension, or something), so perhaps we shouldn’t be surprised.

In fact, he’s been able to treat the world to another decade of great music. Three of his post-80s albums get regular play on my mp3 player.

And I got to experience it first hand. No, I wasn’t at Hammersmith in July 1973, but I embarked upon an epic winter hitch around the UK in pursuit of the 1.Outside tour (granted the vibe was rather different — more post-apocalyptic industrial decay / less glittery space operatic). But it was utterly incredible. Sure sure, it got a bit psychotic at times, yes that’s true, but it was one of the great defining times of my twenties (a 36-hour hitch in a blizzard with a massive speed comedown… me and Justin, we didn’t have Vietnam, or The Somme, or the beaches at Normandy… we had the Severn View Motorway Services). I may have to post the full story of that hitch one day. It’s an epic voyage into the Heart of Darkness complete with angels, demons and Cliff Fucking Richard.

The above video, so you know, is the version of The Man Who Sold The World played on that tour. Clearly you won’t get the same shivers down the spine that it gives me, but I hope you dig it.

1 comment  |  Posted in: Media » Audio, Video


28
May 2009

The best thing ever…

… no really. This is what the internet is for. (via)

I know it’s easy to say this now, but I dreamt of a website very much like that a while ago. Absolutely beautiful. Requires speakers, a broadband connection and enough time to truly appreciate where you can take it.

my life’s work, she said, is the impact that this has

4 comments  |  Posted in: Media » Audio, Video


23
May 2009

Mothership Connection

As an addendum to the last post

Because, quite frankly, one Parliament / Funkadelic video just isn’t enough
HQ and Fullscreen the thang!

UPDATE 24-05-09: As Gyrus points out in the comments to the previous post, these P-Funk videos are but small parts of a larger whole. Check out The Mothership Connection for some amazing music and visuals.

Leave a comment  |  Posted in: Media » Audio, Video


22
May 2009

Some links and a video

Here’s a round-up of some of the blogging that’s caught my eye lately…

I’ve known Merrick for about 15 years now (a fact that makes me feel terribly old… were the St. Rock’s Day Parties really that long ago!?) He’s a good enough friend that I’ve been able to overlook his psychotic hatred of donkeys. A hatred I brought to public attention here, and which may well merit a blog-post of its own some day. His sustained attacks upon one of the few champions that these poor, downtrodden animals have in their cold world of suffering, are essentially the equivalent of eating donkey steaks every day, washed down with a nice warm mug of donkey blood. Vegan? Schmeegan!

Don’t get me wrong, I’m not defending Chris de Burgh as an artist. He’s really not very good, but the first couple of albums have nice tunes on, which is more than you can say for Huey Lewis. Am I right?

Anyhoo, Merrick’s writing (except on the subject of donkeys) is wonderful. And his blog really is one of the best out there. I want more people to visit it as his posts deserve nice long chunky comments threads. While most British bloggers have been having a pop at the British National Party and their leaflet campaign, Merrick’s post on the subject is the one you need to read (British jobs for Polish workers). His post on the MPs expenses brouhaha — Levelling the expenses playing field — is also excellent (and I’m not just saying that because it quotes me a couple of times) and contains the best solution I’ve heard yet regarding the controversial Second Homes Allowance. Just make MPs eligible for housing benefit in London. It is, after all, enough. Isn’t it?

JG Ballard. 1930-2009

JG Ballard
Although it was a wee while ago, I’d like to take a moment to mark the passing of JG Ballard. He had a huge influence on my intellectual development. The Atrocity Exhibition hit me like a freight train in my first year at university. I went on an all-Ballard diet for a while and, having read pretty much everything he’d written up until that point, emerged somewhat freaked out… my dreams, ever-after, have often taken me to landscapes that could only be described as Ballardian. Or would “Ballardesque” be better? Have we established that yet? Anyway, another person who was profoundly touched by Ballard’s work is my friend Gyrus. His short piece, Ballard dies, is worth a clickthrough.

Other thoughts

Also worth your clicks are David Byrne’s musing posts on the internet, resource depletion and socialised medicine (Senigallia — You Get What You Pay For) as well as his latest post… on… well… buildings and food (The Best). OK, so it’s mostly just “food” but the line was too good to pass.

Oh, and in the spirit of my recent, Where’s Scully when you need her? post, check out Sellafield robots stealing nuclear waste. Is this the end for humanity? over at Nuclear Reaction. Run for the hills!

And here’s something for the weekend. Enjoy…

NONE more funky.

9 comments  |  Posted in: Media » Video, Opinion


21
May 2009

It's not your brain, it's just the flame

Fame is weird. It makes very little difference whether 10 people know you or 100 people know you. But when a million people know you, everything changes. And nobody can remain unaffected by it. Though some carry it better than others.

I’ve met a fair few people over the years who have attained, or had thrust upon them, varying degrees of fame. Mostly, due to circumstance, musicians. I was struck by how there is a palpable burden associated with it. I’m not talking about wealth or talent or anything like that… I’m talking specifically of fame. Of being known (or more accurately, having a specific, and more than likely distorted, version of yourself known) by a significant proportion of the strangers you meet. Needless to say, for most, there are compensations that ease the burden and they can achieve some level of balance as individuals.

But the downsides are there and sometimes can’t be ignored. The biggest downside is paranoia. Fame breeds paranoia like rabbits breed… well, smaller rabbits. And it can breed arrogance. Serious, megalomaniacal arrogance. Which is a really crap combination. As a result, some of the famous people I’ve met have been extremely difficult to like.

And no. No names. It’s one thing to comment upon the public work and utterances of a person — that’s as much up for grabs as any other part of culture — but blogging behind a real person’s back seems wrong to me. On the other hand, it’s probably fine to say positive things about the people you meet.

Take Eric Clapton for instance. On the two occasions I met him back in the 90s, he was just about the nicest person you could hope to spend time with. His music isn’t really my cup of tea, and the media has made him out to be a bit of a right-wing reactionary. So I was — unjustifiably — expecting him to be a bit of an arse. He wasn’t. And I — quite rightly — felt like a bit of an arse for my prejudice. He was like the coolest uncle you could possibly have. Someone who’d seen a bunch of stuff that you were unlikely to ever see, but could communicate it to you without ever seeming condescending or aloof.

Of all of the well known people I’ve met though, nobody carries fame half as well as Julian Cope. I’ve no doubt it’s caused him his fair share of problems, but he’s worked hard to put it to good use. Most don’t. He’s getting radical, idealistic and subversive messages out into the hands of — well, he’s not selling like Coldplay, but his voice carries further than most. And at the same time he’s remained one of the most likeable, decent people you’ll have the good fortune to bump into. Intelligent, funny and frighteningly well-informed.

A description that also applies to Dorian Cope, his wife and recent addition to the list of bloggers. Her blog, On This Deity, sets out to be

An alternative “On This Day”, On This Deity aims to bring light to and celebrate culture heroes, outsider icons, beloved immortals and symbolic events in history. I might not be able to commit to a daily entry, but will attempt several-times-weekly!

So far it’s been excellent. A wonderful blend of the personal and the analytical. Writing filled with insight and humanity (e.g. 18th May 1980 — the Death of Ian Curtis or 13th May: “Poetry is in the Streets” as One Million March in Paris, May 1968). I recommend it as a worthy addition to any discerning blogroll. See also Merrick’s shout.

1 comment  |  Posted in: Opinion


15
May 2009

Happy birthday, Mr. Eno

Some birthdays this week. My sister, the lovely Citizen S, the reverend Jim Jones, Andrew Eldritch, Dante Alighieri, Tim Roth, Thomas Gainsborough and both Paul Thompson and Brian Eno of Roxy Music. Happy birthday one and all! (with the possible exception of Jim Jones).

The first track from one of my favourite albums of all time.
Not your standard “video posted to a blog”, mind.

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14
Apr 2009

April in London (David Byrne gig review)

hallo y’all.

I’m sat here at one of those fancy web-terminals they have in public spaces these days. I’ve been in London for the past few days and am now on my way back to Dublin.

It’s been a groovy weekend and no mistake. London has changed in the three years since I left of course, but not by much. I felt utterly at home walking around the streets of Wood Green earlier today. Some of the shops are new, but most aren’t. There was familiarity everywhere I turned. The faces and voices. The smells. The shape of the buildings. The steel grey sky of London in Springtime. And that tree on Waldeck Road still has flecks of white paint on it. 16 years on! (about three people will know what that means, but they’ll get a smile from it. The rest of you will just have to wonder.)

The less said about The Queen’s Head at Turnpike Lane though, the better… London’s finest dirty rock pub turned into a sports bar? We live in profane times.

Anyhoo, I was over in London for a David Byrne weekend. Leastways, that was the excuse. Needless to say, the Byrnester didn’t disappoint. Though even if he had, the opportunity to catch up with some old friends was itself more than enough to make the trip worthwhile. I stayed with my old mate Gyrus (once again dude, many thanks for organising everything) and together we chilled out with a few cups of tea as well as attending a David Byrne movie double-bill at the BFI (Stop Making Sense and True Stories) on the night before the gig at the Festival Hall.

And what a gig!

I’ve seen Byrne at least once (and usually more often) on every tour since the eponymous album in the mid-90s. I’ve also seen several one-off shows (festivals and what have you). I can safely say he was never better than last night’s gig.

In fact, I’d kind of felt a bit worried about seeing Stop Making Sense on the big screen the night before the gig. Clearly live music and cinema are radically different experiences… but even so… how could his 2009 tour possibly match up to the performance on what is arguably the finest concert film ever made?

I needn’t have worried. The two can’t really be compared of course, but last night’s gig was simply breath-taking. As you may (or may not) know, the tour is called “The Songs of Brian Eno and David Byrne” and covers tracks from all of their work together… the two direct collaborations (My Life in The Bush of Ghosts and last year’s Everything That Happens Will Happen Today), the three Talking Heads albums that Eno produced (More Songs About Buildings And Food, Fear of Music and Remain in Light) as well as The Catherine Wheel (the Byrne solo album that includes a few Byrne-Eno compositions).

Anyways, it’s probably safe to say that while I’m a fan of pretty much everything Byrne has done; from ’77 to ’09; it’s his work with Eno that excites me the most. Well, Remain in Light is the best album ever recorded after all*.

I was delighted, so, when it turned out that the two albums that dominated the set were the latest one (naturally) and Remain in Light. He must have played at least half of that record. Needless to say, I’m hoarse from cheering.

Dressed all in white, the band and the three dancers (whose whirling, creatively slapdash choreography was at times funny, at times sexy and at times just weird, though always successful in transmitting energy to the proceedings) rarely stopped moving for the two hours. It was truly joyous, and how many gigs manage to even get close to that?

By the halfway point, everyone in the festie hall was on their feet. The audience reaction was incredible. The whoops, cheers and wild applause were heartfelt and real. Those in the lower tiers crowded down to the front of the stage, and the festival hall became a dance hall.

Life During Wartime, a glorious version of Once in a Lifetime (a song that has perhaps suffered a little from over-exposure but managed to sound fresh and wonderful all over again last night) and stunning versions of Houses in Motion and The Great Curve (“The world moves on a woman’s hips / the world moves when she swivels and bops”). Those were the highlights for me up until the encore.

Returning to the stage, still in white, but now with the addition of ballerina’s tutus, Byrne and the band launched into a blistering version of Burning Down The House. By the end, pretty much the entire hall was shouting the refrain… must have been a little bit like what Funkadelic gigs were like in the late 70s.

That wasn’t the end… but how to top that? Well, how about getting Brian Eno on stage for the final encore to provide backing vocals on the achingly beautiful title track from the last album? It was the cherry atop an already perfect cake. When the house-lights came up at the end, the Japanese chap sitting next to me asked in broken English… “the man at the end? He was Brian Eno, yes?” “Yes”, I said. He looked utterly delighted. It was the cherry for him too.

So yeah, that’s where I’m at. I must away now… my time on this terminal is running out, and I need to think about making tracks soon. If you get a chance to see Byrne on this tour, then you really need to. It’s bloody incredible.

* Excepting on the days when Astral Weeks is.

6 comments  |  Posted in: Opinion, Reviews » Gig reviews


11
Apr 2009

Meandering nonsense

There’s plenty of catching up to do. Plenty of “Previous posts” links to be clicking. Though browsing through my blogroll, I find that it’s been quieter than usual all round. It’s not just been me.

Larry‘s only had four posts since Chrimbo for instance. Mind you, one of those was a video of a man playing Angels We Have Heard On High on a piece of broccoli. I’ll take quality over quantity every time, and it doesn’t get much better than a man playing Angels We Have Heard On High on a piece of broccoli.

An anecdote about my life as an engineer

John B’s been over in Haiti. I came within a mildly amusing anecdote of spending a few months in Haiti in 1996 but it involves a corporate blunder that’s almost certainly still covered by confidentiality clauses, so I’ll have to be vague.

At the time I was working for an engineering consultancy that specialised in managing medium-sized projects for US corporations (food and beverage mostly, but there was bits and pieces of other stuff). The company had built its reputation on handling projects in what were euphemistically known as “hardship locations”… Nigeria, Angola, Ghana, Tanzania, the Middle East, the Philippines. Though by the time I joined they’d shifted both into working in ‘first world’ countries and also to the “new hardship locations” of the former Soviet Republics of Central Asia.

In early 1996 a multinational corporation contacted us. An almighty cock-up had been made in Haiti and our company was one of a small group who had the expertise to put it right. Because there was a certain level of political sensitivity involved, there was a kind of “name your price” air to the whole thing. I put together our quote for the job and was encouraged to “be generous” with the budget by my boss; the company owner. I’m talking about the high side of reasonable here, you understand, not silly. The project had a healthy profit margin, but still we looked certain to win the contract.

I’d begun preparing to head out there. Seven of us would go out. Myself, a director of the company, and five engineers. After a couple of weeks, the director would head home and I’d run the thing for the next twelve weeks or so. It was to be the third project I’d managed, but the first in a hardship location… and what a location! Admittedly, our project would entail spending most of our time in a secure compound well away from population centres. So it’s not as if we were going to be hanging out in downtown Port-au-Prince every evening. All the same, it was a pretty daunting prospect and I had more than a few sleepless nights freaking out about it.

The day before I was due to fly out for a preliminary visit we got word that the project was put on hold. I don’t recall ever being so relieved. A part of me was excited by the prospect of visiting the place, but it was a small part. Overshadowed significantly, I might add, by a far larger anxiety about running a site office and managing a bunch of men, many of whom were twice my age, for three months. In Haiti. In fairness to my boss, and contrary to how I may come across here, I was actually quite good at that kind of thing at the time. It’s not like he was sending some blithering academic off to fix stuff in Haiti. Even so, I was mightily relieved when I informed the office secretary to cancel my travel plans.

The company was expanding at the time. We were being asked to quote on far more work than we could possibly do and despite moving to larger premises and taking on more staff, we were actually turning down as many projects as we were taking on. So losing Haiti wasn’t all that big a deal. Within a week I was looking at the schematics for a plant in Baku.

For the next couple of months the Haiti project was on-again / off-again. It was getting on my nerves, and it was pissing off my boss. Over a liquid lunch one afternoon, he brought up the subject and vented his exasperation at trying to get anything organised in Haiti. The place was, he assured me, impossible to deal with. This from a guy who’d built factories in Angola and Northern Nigeria.

“Yeah, and that’s without the voodoo! Just wait ’til one of the lads pisses off a local voodoo priest. It’ll be The Serpent and The Rainbow all over again”. I was laughing, but my boss’s interest had been piqued. What was The Serpent and The Rainbow, he wanted to know? I told him it was a book and then a movie about Haitian voodoo and was supposedly based upon a true story. We chatted about voodoo for a while and I told him to rent the movie from the video shop if he got the chance.

He did. And clearly a bit squiffy from a few ales, he sat down to watch it that evening.

Now, I don’t know about you, but there are one or two horror movies that — for me — stand far above the rest… films that got to me. Got to me at a level that most horror films, even the very good ones, never get to. Films that crept inside me and did nasty things to my mind when I lay down in my bed at night. And it’s not about the quality of the film; it’s about the time and place you see it. Set and setting. How you’re feeling, what’s been on your mind, what you’ve eaten, drank or smoked. For me, An American Werewolf in London was one of those films.

For my boss, it turns out, The Serpent and The Rainbow was one of those films.

We’d had that drink on Friday afternoon. By Monday morning he’d read most of the book and was in something of a state. That afternoon he made a call to New York and withdrew our involvement in the Haiti project.

Now, I’m not saying that we’d still have pulled out if economic conditions had been different and there hadn’t been other work to do. And the way we’d been jerked around for so long certainly hadn’t helped. But The Serpent and The Rainbow was very much the straw that broke the camel’s back. The fact that my boss rented that movie on that particular night and it scared ten shades of shit out of him is almost certainly the reason I didn’t go to Haiti in the mid 90s.

So yeah.

There you have it. Well, I did say it was a mildly amusing anecdote. Though I must admit, it certainly went on for longer than I’d anticipated.

But look, it is almost 4am. I’m very close to nodding off. And I wanted to get something up here tonight but the thing I’m writing about nuclear power isn’t quite right yet, and the thing about police brutality and civil protest just isn’t hanging together either. At least this meandering nonsense is labelled as such.

Mr. Byrne’s Big Suit Built
by
Gail Blacker

Is that one of the best film credits ever?

And is this one of the best opening paragraphs to a blog post ever…?

The approval ratings of Austrian rapist Josef Fritzl have fallen below Gordon Brown’s according to a Daily Mirror YouGov poll published today which suggests that Brown would win a 20-seat majority at the next election if the Conservative Party were led by Fritzl.

Certainly when you add it to the closing paragraph of Harry’s prior post, it’s clear that despite the lack of quantity, Chase Me Ladies, I’m In The Cavalry… is also still providing high quality:

I honestly believe him to be insane. And the fact that this very dangerous lunatic is still poking his nose into the Middle East shows that Blair remains one of the most serious threats to our national security, and that his arrest and execution should be matters of the highest priority.

Harry Hutton, Blair Must Hang

There have been plenty more pearls amongst the online swine during my absence. I’ll get to them in due course. I’m travelling a lot over the next couple of weeks. London. Then Serbia. But I’ll try to post as often as possible, even if only briefly. For now, I’ll leave you with Politicari + Virusi (Politicians and Viruses) from Serbian band, Disciplin A Kitschme.

Vocals, drums, bass and effects pedals. Who needs a lead guitar?

Leave a comment  |  Posted in: Opinion


5
Dec 2008

Billy Bragg Live in Dublin

I don’t want this place to become just a collection of YouTube clips, but I’ve not got much time right now and wanted to say a little bit about the gig last night… this is better than nothing I guess. We went to see Billy Bragg at Vicar Street and, as ever, he raised the roof. A thousand people singing There is Power in a Union is a wonderful thing to hear. I ended up describing him to someone today as “like an English Christy Moore”. I hope Billy would take that as the powerful compliment I mean it as (even if, strictly speaking, Bragg has his roots in punk while Moore is a folkie).

Anyways, the gig was great. The pissed bloke, not far from where myself and Citizen S were sitting, who insisted on trying to shout over the top of Billy’s between-song-monologues got beyond a joke at one point and I came close to tracking him down and offering to pay him to leave. Not that I had the money, not that he’d have left, and not that he’d have stopped shouting, but maybe — just maybe — when he awoke hungover the next day he might recall my offer and be shamed into resolving to shut the fuck up next time!

But yeah, Billy was a star. Like he always is. And support was provided by US singer-songwriter, Otis Gibbs, who was worth the ticket price alone (not that I judge an artist’s worth by how much you’d pay to see him, but you know what I’m saying).

Like any great artist who has been around a while, Billy didn’t play half the stuff I’d have liked him to play. But, then, he could have played for another couple of hours and still not played half the stuff I wanted to hear. Which is OK. When what you do get is so wonderful, it’s only an arsehole who complains. Also, as is often the case with me, my favourite album by a singer is one that other fans don’t rave about so much. So I suspect even if he had played for another couple of hours, we still wouldn’t have heard much from William Bloke.

He was as strident, as righteous and as inspiring as ever. Although having said that, the lovely Citizen S did point out afterwards that, having grown up in a communist regime, it’s a little strange for her to hear songs that idealise and romanticise unions and workers and socialism to quite that extent.

Don’t get me wrong, she enjoyed the gig and sees the worth in the songs and ideas but I guess those words are bound to have a different resonance for her. That’s one of the (many) things I like about Citizen S… I get to see the world from a different perspective when we’re together. A good thing. We’re neither of us big fans of capitalism, though. So not too different a perspective!

Hopefully next time we go see Billy play he’ll dust off a couple of tracks from William Bloke. Maybe The Space Race Is Over and From Red to Blue? Just thought I’d put that idea out there in case he googles himself one day and reads this page…

But yeah, one song he did play last night (how could he not?) was Waiting For The Great Leap Forwards. And, as the song says… if you’ve got a website, I want to be on it…

Billy Bragg | Waiting For The Great Leap Forwards

2 comments  |  Posted in: Reviews » Gig reviews


4
Dec 2008

A couple of videos

I’m still feeling quite blown away by the Damo Suzuki and Makoto Kawabata set the other night, though as I’m seeing Billy Bragg tonight I suspect the radical shift in vibe will put me in a rather different headspace. So while I’m still in that spaced-out groove, I thought I’d put up a couple of videos for you lucky people. First up, something from Can. Trouble is, there’s a real dearth of decent footage of Damo Suzuki and Can out there. It goes without saying that a band this far from the mainstream didn’t make lots of slickly-produced music videos, and the live footage that exists tends to be mostly low quality, both sonically and visually. This might just give you a flavour of what they were about though…

Can | Spoon (live)

Yes, the massive hair wearing a red jump suit is Damo.

And here’s a clip of Acid Mothers Temple playing live. Again, do bear in mind this is just a taster… something to give you an idea of what Makoto Kawabata’s guitar playing (as well as the rest of the band) is all about. If you’ve never been to see anything like this, then I need to emphasise that it’s all about being there. Experiencing it first hand. Anyways, there’s about a minute and a half of silence punctuated by spooky atmospherics. Then, at about 1:40 Makoto kicks in.

Acid Mothers Temple | Unknown track (live)

ROCK!

1 comment  |  Posted in: Media » Audio, Video